Filmmaker's Block

 I've had a dance film in pre-production for the better part of seven years now.

It's a duet, and the person I had originally wanted to do the duet part is dead -- that's how long I've sat on this. The person currently cast for the role is actually the third person I've contacted about this.

Everything is in place -- costumes are ready, storyboarding is done, we've been rehearsing... but I just can't pull the trigger on filming this piece. It needs to be shot outdoors in the summertime, and the window for that is closing fast.

It's not like I haven't done this before. I've produced two 'official' dance films, at least two 'rehearsal performance' films, and a sizeable handful of live performance videos. This shouldn't be that hard.

But this is a duet.

All the other videos are either solo or feature my siblings. This is the first one that features somebody that's not a blood relative of mine. We've worked together on other projects and she always brings competence and enthusiasm, yet I'm so intimidated about having somebody else perform my choreography. This has been my dream for literally decades. So why am I freezing now?

As much as I would like to blame college, I don't think they're on the hook for this one -- at least not entirely. They were extremely, conspicuously silent on any and all dance films I've posted so far (and I made the bulk of them while a student there, so they definitely knew about them), which, I suppose, is better than the 'you'll never be good enough/you're not trying hard enough/you're making yourself fail' BS that they usually drummed into my brain every single day.

In many ways, I see this as my last chance. I'm terrified that she won't like performing in it, but I'm also terrified that my husband won't support the travel I'm going to need to undertake to shoot the duet scenes, terrified that my in-laws are going to use this as one more reason to abuse me and manipulate my husband into lecturing me for several hours on end on a work night, terrified that my inexperience in film editing will make this look like trash and me like a wannabe who will never be, terrified that all the people who have given up on me (so, basically everyone) aren't going to respond -- at all.

There's so much to lose. There's so much to lose. And if I lose this time, I'm not convinced I have enough support around me to get back up again. If I lose this time, I'm scared there may not ever be a next time.

I have no community around me -- either in dance or in my location. I feel like I'm naked in the desert with a target on my back, surrounded by the guns of people who claimed they loved me. One wrong move and I'm gone. If this was a solo video, it would be one thing. But I don't want to drag this other dancer down with me too.

I May Have Found An Answer...

Originally written in March 2021.

Lately I've started to wonder if I am autistic.

It would explain SO much... my lifelong texture issues with nearly every 'normal' food on the planet, my inability to get over stuff quickly, why everyone complains that I'm too honest and wants nothing to do with me, why I literally cannot even feign interest in something I just don't care about, why I can't tell apart characters in films (which also explains why I hate watching them)... so much.

This is something that's been brewing for a while. I happen to follow a few autistic performers on Instagram, and the more autism-life memes they posted, the more I found myself relating to them. I started to research a little. At first I thought, 'oh, most of these don't apply to me,' but then I began to remember/notice things. Like how I have legitimately bought clothing purely because I liked the texture. Like how I NEED to either bounce my leg or move my feet at all times. Like how I made a massive scene (meltdown?) in front of my in-laws in my late twenties because there was too much conflict and I just couldn't hold it together anymore. Like the fact that my sister has taken over my old bedroom at my parents' house has left me completely, entirely lost. Like how I know almost literally everything there is to know about Christian music up till the year 1995, but could not tell you one single fact about Michael Jackson or Madonna, even though they were huge artists in the same era. Like how my one and only dream has only ever been choreography, and I literally get suicidal at the mere thought that it might not happen. Like how I struggle SO MUCH to understand the vague phrases my profs and teachers would use.  Like how I shut down at the tiniest provocation. Like how, if someone says, 'just be yourself,' I have literally no idea what to do because I do not, and have never, known who I 'truly' am -- my entire life I have quite consciously taken on the characters of people around me (for better or for worse). Like the fact that I am so cold I am in physical pain 90% of the time. Like the fact that I overexplain literally EVERYTHING. Or the fact that I often will get so engrossed in something (usually reading, writing, or choreographing) that I get 'stuck' in it and literally can't get out -- not even to eat or use the washroom -- until either the task is done or some extremely strong outside force absolutely demands I shift my attention. Or the fact that almost everyone I've ever met is quick to say how smart and quick I am, yet refuses to associate with me because I'm rude/negative/mean/annoying (*cough* HONEST and willing to call out people's crap). Or the fact that I absolutely LOATHE talking to people out loud, but have no problem writing them 800-word texts.

There is autism in the family. It was a cousin who was quite a bit younger than me who I rarely interacted with. My first real experience with autism was when I befriended two fellow theatre performers on the spectrum. I got on extremely (in my case, abnormally) well with both, and it wasn't until MUCH later that I began to wonder if this was because we were more alike than I thought.

I don't know where to go from here. I don't know how to get assessed, especially since the people I've shared my concerns with have outright dismissed them.

I'm not afraid of being diagnosed autistic -- in fact, I'm excited about the possibility. For nearly 25 years I have wondered what was wrong with me, why nobody wanted me and (it seemed) nobody loved me, and maybe now I've found it. Maybe it wasn't my fault like I thought all those years. Maybe all my failings weren't because I wasn't trying hard enough. Maybe my entire lack of a social life has all been based on misunderstanding rather than hate. And because I lacked the concept, the vocabulary, to explain why I couldn't connect with anybody, I thought it was all my fault and I was a failure. I spent YEARS of my life being suicidal for this reason... and maybe I didn't have to be. I'm more worried about NOT being autistic, because if I'm not, I have to start from square one all over again.

I am afraid, however, of posting this.

I have said some pretty bold things on this blog and didn't flinch when posting them, but this one scares me. I am in my late twenties... 'too late' for an autism diagnosis in a lot of people's minds. I know it's common for people (especially women) to go undiagnosed into adulthood, but that doesn't mean the stigma isn't there. I have only shared this suspicion with a handful of people, but every. single. one of them dismissed me immediately. I think they were trying to make me feel better, but it really only made me feel more alone. I would be lying if I said I wasn't worried that the few friends I've managed to make will treat me differently if the term 'autistic' is attached to me. I'm still the same Kate -- I always was. If I'm autistic now, that means I've been autistic from the start -- we just finally have a name for it now; a reason why I have struggled so much with so many things that 'should have' come easily to me. All my life, I wondered why -- why can they make friends so easily and I can't? why do I make the exact same jokes they do and get told off for being 'rude,' when you laughed at the same joke when someone else made it? why do I still carry SO MUCH pain and such a sickening feeling of un-resolution from all those deaths going on six years ago now? why do I feel so different and so unwanted and so 'weird'? why do people get SO angry with me for not understanding the vague new age positive phrases they keep giving me when I ask for genuine, detailed help? why do people call me smart but treat me like I'm stupid? why do I feel like such a failure? why can't I understand what people are saying when they're literally speaking the same language as me and yelling to be heard?

I just don't know where to start.

The Long Lonely Crisis

Originally written early 2018.

This is something that's been on my mind for a while now.

(Trigger warning -- suicide.)

Most of you probably know that I attempted suicide in March 2017. A month later I finally had the opportunity to ask for help and subsequently began counselling. I 'stabilised' -- in theory. But you know when the suicidal thoughts were at their absolute worst? Do you know when I was the closest to ending my life?

It was eight months later -- November 2017.

I was still in counselling once a week. I was still attending all my classes. I continued my rigorous practice schedule. But in late October there had been a serious incident involving a close friend of mine and that was all it took to break me. The fragile progress I'd made vapourised in the aftermath of one horrible text. I doubled the frequency of my counselling appointments in the wake of what had happened but I would still go back to the house for lunch every day and sit there in the living room, staring out the window, visibly shaking, rage coursing through every capillary in my body, literally not even sure if I would survive the next twenty minutes or if I would snap and end it before then.

When I attempted suicide in March 2017, that was actually a more spur-of-the-moment thing. Certainly the anger and frustration that triggered it had been building for some time, but I didn't sit there and plan it that day. I didn't even really realise that I was about to attempt suicide until my feet were already moving. But in November, I was literally planning it out in my head... the details of what I would do, how I would do it, and -- most importantly -- the reactions of others ('maybe then someone would finally be sad for me'). You're not supposed to give those thoughts space and I knew that, but I was too completely, utterly exhausted/spent/depleted/frustrated/beat down to steer them in another direction. All I had the energy to do was just sit and let them run their course, winding my nerves tighter and tighter, increasing my internal tension to the breaking point.

From my counselling, I knew that I should say something. Text someone. Go to a friend's house. Call 911 if necessary (I knew I would not survive the drive to the hospital if I tried to drive myself). That May, when I had started telling people close to me about my attempt in March, they had all said things like, 'you can talk to me if you need it.' They spent time with me, checked in on me, told me I needed to live -- for a while.

But when I hit bottom in November 2017, I never called anybody. I didn't send any texts. You know why?

Because the phrase 'I'm here for you' has an expiration date. Always. I'd learned that after my cousin's death in 2015, and I knew I'd passed that date. Quite a few of those people who had been so concerned in the weeks following my March attempt had already, by November of that same year, told me I was wallowing too much (as if one can 'wallow' in a medical condition that's outside of their control!). I knew if I tried to contact anybody -- including those that helped me the first time around -- they would just assume I was looking for attention or perhaps overreacting. 'You've been in counselling. You know people care about you. That was months ago -- why are you still not better yet? Why aren't you trying hard enough?'

I knew my condition was serious, but I had no way of convincing anybody else that it was. I'd been in treatment for seven months. I was supposed to be better, right? And if I wasn't better yet, then obviously it was all my fault. I wasn't trying hard enough. And nobody wants anybody to do with somebody who's 'lazy' and 'doesn't try...' (Perhaps it is better for that person to be dead...?) (Don't tell me you're not thinking this sometimes when I'm struggling and seem exceptionally needy.)

Listen to me, just for a moment. Recovery is not linear. Recovery is not instant. Let me say this again -- recovery is not instant.

Please get this.

There is no quick fix for depression. Yes, there is counselling, and yes, there is medication, but neither of these are quick fixes, and neither of these is guaranteed. At this moment in history, depression is incurable. If you don't understand this, you cannot say you understand depression. You cannot understand the weight of knowing there is no end to the fight, ever, for the rest of your life. Recovery -- especially from a suicide attempt -- can take years. Literal, calendar years. And if you say you're going to be there for us through that time of picking up the pieces, you need to realise how long that really is. It's long. And it's hard. And it's slow. And it's lonely. And it feels pointless. And because we're already depleted from actually getting to the cliff edge of our lives and clawing our way back up over the edge of our own demise, we don't have a lot of strength left. It's like how you're depleted and listless after a flu -- it takes time to get your strength back. In the very earliest days of my 'recovery' (April 2017), I had zero will to live -- I was in fact still actively planning to die. It took a lot of people pouring their determination into me for a long time (we're talking every single day for months) before I began to even reflect any of it myself (it took even longer than that for any of that determination to truly get inside me). I have said of one friend who was there at that time that she fought harder for my life than I did. I had well and truly given up the ghost, but it was people like her who doggedly insisted that I needed to live and stayed close to me to ensure that I did.

But the thing is, over time, they begin to drift away. They think you're better and they begin to drift away and assume you're in remission. But just because the initial emergency has passed doesn't mean that you're cured. You're now at 20% battery instead of 1%, which is of course an improvement, but that 20% can -- and does -- get depleted quickly. Meanwhile everyone assumes that you're now permanently at 100% and gets upset with you if you so much as hint that you aren't.

A crisis is not solved (though, yes, it can sometimes be temporarily alleviated) with a ten-minute text friend-therapy session. A mental health crisis can last -- even with treatment -- for years. The suicidal thoughts that nearly killed me in 2017 actually started in early 2015. I was in full-blown crisis for two years -- BEFORE I even made an attempt. And don't make the mistake of thinking it the crisis ends immediately after one attempt (even with treatment).

Even now, there are still more dark days than I let on. There are fewer now than there were in November 2017, yes, but there are still days where I am frustrated and lonely and feeling like nothing I ever do will be worth any of the time I'm putting into it and I start thinking, 'why even bother?' Because of my personal history with this cocktail of depression/perfectionism/suicidal ideation, this little phrase alone opens the floodgates to dark things very quickly -- as soon as that question comes up, I can go from neutral to suicidal in literal seconds. It's such a fast slide that I often don't even realise it's happening until I'm already planning what my imminent death will look like. Basically, because I've been to the edge of suicide before, it means I can wind up back in that state easier and faster than others who have never attempted. It's become a sort of muscle memory.

But I consistently don't contact anyone because I know that nobody is going to take me seriously -- they're just going to roll their eyes and ask why I'm not trying harder. I've gone through a lot this past year, but I kept pretending I was fine. At the moment that's doable. But if I start sliding again, that means I'm not going to contact anybody.

This is why checking in is SO imperative, even if somebody looks fine. If we don't feel safe to say we're struggling, a lot of times we simply won't. And that's dangerous... it means we won't warn you, we'll just fire the fatal shot and hope someone cares enough to bury the body.

The Birth of the Curse

I'l just get this out of the way: I hate my birthday.

Not because I'm another year older and closer to death. I hate my actual birth date -- 2 August.

In Canada, the first Monday is August is a statutory holiday. I don't know why they felt this was necessary -- the month of August literally is holiday unless you're one of the lucky few who have actually managed to land any kind of full-time job in this economy. Yours truly was literally born on that God-forsaken Monday. To be born on a holiday Monday -- especially in the summer, and especially the last one of the summer -- is a curse straight from the lips of Satan himself.

Do you have ANY idea how hard it is to plan any kind of birthday party when literally everyone goes camping in the mountains or goes to the lake on that weekend? There are 51 other weekends every year, but all the vacations magically converge on THAT weekend -- the weekend of my birthday.

These circumstances literally incited my lifelong battle with depression. My own birthday doomed me. I was sunk from my first breath.

I was nine, going on ten. My birthday was coming up and I had carefully made up invitations and sent them out WAY in advance -- having learned in the previous three or four years that people apparently make plans for my birthday weekend in April sometime. But it was now late July and the RSVP calls were rolling in -- 'Sorry, Lindsay can't make it, we're going to the lake that weekend,' 'Sorry, Katie's camping with her dad that weekend,' 'Sorry, Brittany can't come -- we're all going to Disneyland that weekend...'

I was with my dad in his workshop when my mother came out and relayed yet another message like this -- my best friend couldn't come. And it was kind of the last straw. I had invited probably about a dozen people, and now probably about ten of them had already backed out. I had long been reduced to inviting even my much-younger and significantly more annoying cousins just so I would be with someone on my birthday.

I excused myself and headed back to the house to process. How could my best friend be busy? She knew my birthday. It happened every year on the same day. How do you not start to remember 'oh yeah, my best friend's birthday is that day, don't book anything'? This was my best friend. I had never missed her birthday party. Why then did she and her family seem to think it was okay to miss mine?

I was walking up the steps to the back door of our house when a solution presented itself to my nine-year-old brain: nobody likes you. Nobody wants you around. And that's why they're making all these excuses. They didn't forget -- they just don't want to come.

And suddenly everything made sense.

The problem was not the date, the problem was me. I was annoying and stupid and nobody liked me.

The knowledge was enlightening. Suddenly my entire life made sense -- my mother's seemingly unprovoked rages at me, my dance teacher's constant needling comments at me about how I wasn't good enough, the fact that every social gathering I ever tried to plan flopped spectacularly, the fact that literally nobody ever talked to me unless forced to.

It was because nobody liked me. It was because there was something wrong with me.

That thought opened up a whole new world of explanation -- a Pandora's box that not only could I not shut, I didn't want to because I would rather know that I was worthless than live under a delusion. I would rather have known the truth -- the truth that nobody wanted me around and would do whatever it took to avoid me. That thought still pervades literally everything I do and everything I think. I know nothing else.

I still had one faint hope -- that when I was an adult and my friends were all more in control of their work schedules, they would know to keep that day (or at least that weekend) free. They would remember that that was my birthday and maybe my adult friends would somehow be able to love me enough to not want to back out of whatever I might plan.

But now I am an adult. I'm alone in a city with very few (and somewhat tenuous) connections. I can't go visit my family because I work two days in a row and can't make the trip. My best friend is on vacation -- her family plans the same stupid trip to the mountains ON MY BIRTHDAY every single stupid year, despite knowing that that's my birthday. I had made plans with another friend to spend the day together on my birthday -- nothing fancy, just literally being in each other's presence -- and that friend just found out today that there's a family event that he can't back out of... on that day.

My one birthday wish -- to spend my birthday with people who care about me. It's not about the event. It's not about the gifts. It's not about the party or the food or the beverages. It's about being with people I love. That's all I want. It's so simple, but it's the one thing I can apparently never have.

Nobody should have to be alone on their birthday. And yet that's my constant reality.

Living Deaths

The problem with being single and living a fairly transient lifestyle (like, say, freelance performing) is that people don't stay your friends after you've left their city. There's no loyalty anymore. I have lost DOZENS of very close friends because they couldn't even be bothered to try the long-distance friendship thing. It's not that it's 'too difficult' -- some of them literally do not even try. I'm constantly texting and emailing and writing to them (with some I even consider calling), trying to keep the lines of communication open, trying to keep updated with their lives, but no replies... no acknowledgement of receipt... nothing.

Eventually I just stop trying. You can only scream into the silence for so long before you finally get it through your thick skull that you're invisible and nobody will ever answer and so you stop trying because there's no point anyway. After all, you don't want to annoy them either -- assuming they're even seeing your texts.

It's so ridiculous. In this age of smartphones, texting, Facebook, Messenger, email... nobody can be bothered to stay in touch because (verbatim) 'I just don't talk to even my very close friends if they're far away.'

Yes, it takes a little intentionality. Yes, you have to sit down and type an entire 'hey, miss you, how are you doing?' into your phone (back in the olden days we had to actually HANDWRITE letters on actual paper and put it in an envelope which we then licked closed and put an address and stamp on it AND THEN had to take it all the way out to the mailbox or -- horrors! -- the post office three blocks away... but yeah, tell me again how typing two sentences on your phone is just too much effort for a person you claim to care about).

I know you all have jobs and 'are busy' -- but if you're too busy to at least fire off a ten-second two-sentence text three or four times a month, maybe it's time to re-evaluate your schedule. I have a married friend with a full-time job who volunteers a LOT at her church as well as teaching art and taking dance classes on the side and she still has the time to text me at least once a week asking how I'm doing. If she can do it -- I daresay a lot of you can.

This means that every single time I move to a new city, I have to start from square one. None of my friends from my last place of residence carry across. I have to start completely over. It's sad, it's annoying, it's upsetting. And what's more, when I do go back to visit, the reception from my 'friends' is inevitably cool, because 'life moves on and people grow apart.' I'm sorry? We grew apart because YOU DIDN'T EVEN TRY.

I've already grieved enough deaths in my short life. Please don't make me grieve the relational deaths of my still-living friends too.

Smaller

Last night, on a long-ish solo drive, I got thinking.

I've kind of been not-talking to a lot of my friends lately. It's not that I don't like them or have any problems with them, it's just that I know most of them have a LOT going on and I'm terrified to be a further drain on them, even more than I already have been. Of course, hot on the heels on this thought was the time-worn logic that's been dictating my life for over a decade -- if you were dead, you wouldn't be a drain on them anymore.

If only I could somehow make myself smaller. If only I could make myself need less. If only I could be even more self-sufficient. If only I didn't need SO MUCH people-time. If only I could be happy with the same surface-level relationships that everyone else manages to be happy with. If only I could somehow apologise deeply enough for the fact that I need so much from so many -- without immediately regressing back into the same behaviour that I'd just apologised for. If only I could apologise enough for taking up even the little 5'3 amount in time and space and oxygen. If only I could apologise for wasting the time of everybody I've ever said 'hello' to. If only I could be smaller. If only I could need less.

And I realised that I've been thinking these things, in some form or another, for as long as I can remember. Even as a kid. Even today, I'm constantly making myself small -- I draw my knees to my chest, I keep my things piled high rather than spread out and I keep them close to me, I tuck my feet under the chair, ankles crossed, I stand (against the wall) rather than sit, I keep my elbows tucked against my ribs and my hands close to my chest and face. I've been looking for ways to take up as little physical space as possible for so long that I do it without thinking now, and I feel guilty when I make any kind of expansive movement or step into the middle of a room or even raise my voice or start a conversation.

I'm tired of apologising for existing. But I don't know how not to feel guilty for breathing.

Tell Me You Know

The following was written 13 October 2018, three weeks after M's death. I was talking about this with someone not long ago and decided that yes, I am going to post this -- I believe it needs to be said.
This is the original, unedited post from that time.

If you know someone is grieving, please say something. Please acknowledge their existence. Even if you just say, 'I heard what happened. I'm so sorry.' Just tell me you know.

Three full weeks after my good friend's sudden death, I'm only just finding out now that all my professors and teachers found out the same day I did. They didn't know her at all -- the one person I told first told all of them. I don't mind all of them knowing... but I wish they would have said something to me. For three weeks I've been carrying this and while yes, I do have close friends who are checking in on me, it would still be helpful to know all the rest of you know and are in my corner. At least say 'I'm sorry...'

I don't know why this bothers me so much. I feel like they just let me struggle alone. I feel like they all said, 'ah, she'll be fine.' And maybe I will be -- but not in a void, and not at the moment. Don't ignore me now -- being ignored is exactly what leads to suicide in the first place. If you want to prevent other suicide deaths in the memory of this fantastically bright person you never knew, then make sure nobody slips through the cracks. Make sure nobody else feels abandoned, or ignored, or stigmatised.

Yes, I have been putting on a brave face. But that's exactly what I've been doing -- 'putting on' a brave face. It's not real, and it's exhausting -- trying to keep up this facade so you don't abandon me just because I'm grieving something beyond my control.



The following was a Facebook post I drafted that same week and never published. In retrospect, I wish I had. It won't have the same effect now because of the time that's passed between her death and the present day, but maybe it'll be helpful to you all in the future as your other friends lose people in tragic ways.

Can I rant for a second?

Let me be clear: I'm not looking for sympathy. I'm about to write the kind of post that ends up with a million people commenting stuff like 'wow thanks for sharing' because they feel obligated in some way to acknowledge it rather than because they actually feel anything. I'm telling you -- don't comment unless you actually mean it. I can tell from a mile away if you don't and it just makes everything awkward for both of us. I would prefer that you not comment at all rather than say something insincere or off-topic. I'm not looking for sympathy. I just want to say this.

(Also, trigger warning.)

So -- most of you apparently know by now that two weeks ago I lost a very good friend to suicide. This is the fourth person close to me that I've lost in three years and from past experience I knew that if I said one word about it, people were going to start coming out of the woodwork telling me how I'm not trying hard enough to get over it and how I was being 'too negative.' So for the past two weeks I have deliberately put on a brave face. I have said nothing. I have asked for nothing. I have continued to live my life as if everything was fine even though there's a MASSIVE hole in my heart. Believe me, I wanted to say something. I wanted to at least give people a heads-up to the pain I'm in, to explain why I might seem a little 'off.' But I knew people would think I was just milking for sympathy and they would resent me and treat me even worse so I kept my mouth shut.

And now I'm beginning to find out that literally EVERYONE around me found out the same day I did. I know it's a small town and rumours spread, and I honestly don't mind that people know -- but the thing is NOBODY, not one of these people, reached out to me to see how I was doing. Most of these people know I have a history of similar struggles. I would assume most of these people are aware that copycat suicide is a thing and be at least slightly concerned for my safety. But nobody checked in. Nobody even said, 'hey, I heard; I'm so sorry.' Even that would have made me feel supported. But now I just feel ignored and abandoned. You knew I was suffering and you turned a blind eye. And I think that almost hurts more than the knowledge that my immensely creative, fun-loving, talented, vivacious friend ended her own life.

You know who commits suicide? Those who feel alone and abandoned.

You know how I feel right now? Alone and abandoned.

Just SAY something. It doesn't have to be much. It doesn't have to be perfect. Just let me know you see me.

On the Advent

We celebrate this time of year as the time Jesus -- God in the flesh -- came to earth to save us.

To save us.

From what?

What did we need saving from?

Don't give me the Sunday School answer that means nothing to you. Give me the answer that resonates in your heart. What do we need saving from? Do we need to be saved from a dire financial situation? Health concerns? A smaller house than we'd like? A job we hate? Something else entirely?

Let's phrase this another way: What is the ultimate problem in our lives that needs resolution? What is the biggest thing that needs fixing? Advertisers can tell you it's a thousand different things, but out of all those possibilities, which one cuts the deepest? Which one hurts the most? Which spot in our soul do we build the highest walls around, protect most fiercely? What is the sore spot that needs a salve? Is it really a material lack? Is it really financial?

Let's dig deeper -- why do we want all these material things in the first place? 98% of the time, if we're perfectly honest, it's so we can 'look good.' It's to keep up with the Joneses. It's to keep up appearances. But why do we feel this need to keep up appearances in the first place? Will anybody really die if we don't? Since the answer to that is 'no,' maybe the lack isn't money or things. Maybe we're just using the lack of money as a scapegoat, a cover story for the deeper thing we're really lacking.

Allow me to argue that the lack is soul connection. More specifically, love. Not romantic love (necessarily), but the deep love of a close friend or relative.

Did Jesus lay in the manger clutching a ten-step plan to get out of debt? Did God-With-Us hold in His hand keys to the latest high-end car? Did He bring us an interview for a less-crappy job? No? Then what did He come with?

Nothing -- except the heartbeat of God. The love of God, coursing through the veins that would one day be drained dry in an effort to communicate just how intense, how all-in, love is. He came -- to forgive our sins, yes, but to forgive our sins so that we could be reconciled with God. We know sin separated us from God, creating the void inside us to begin with. And we've tried to fill (or at least distract ourselves from) the void with money and prestige and sex and Netflix. But what we needed was not, in fact, money or prestige or sex or Netflix. What we needed was companionship, or, dare I say, love. Others might love us for a while, but the permanent, lasting love comes only from God and that deep, permanent love is our deep unspoken longing -- even if a lot of us haven't been able to pin it down yet.

The most important thing, the thing we lack, is a truly loving relationship, a deep connection and trust with someone. It's love and companionship that is our deepest need. Flash back to the garden, where God literally created woman because, in His words, "It is not good for the man to be alone" (Gen. 2:18, 20-22). The second person was not created solely for sexual benefits (though in the case of Adam and Eve, sex was certainly a part of their relationship), the second person was created so that the first person would have a companion. Someone to love and be loved by. God didn't give the man a million dollars or time-saving devices/apps or a vacation in the Bahamas or the CEO position of a highly-profitable international company. He gave the man what he really needed, whether he would ever have realised it or not -- a companion. A friend.

What, then, is our great need? What did we need saving from?

Our terrible, tyrannical, unspoken loneliness.





(This also implies that we -- especially any of us who call ourselves Christians/children of God -- need to show love to others/each other, not just throw money and a politely-veiled insult at them and hurry in the other direction, but that's a WHOLE different blog post...)
(Also, I'm not trying to be all holier-than-thou in this post -- I honestly have a VERY hard time believing God does truly even notice me let alone love me. I'm not trying to be preachy and it's not that I don't know how hard it is to even hope that God might love me too. It's SO hard, and honestly I'm having a hard time believing some of the things I've said in this blog post.)

Analog Media

Anyone who knows me (or has had the greater misfortune of actually living with me), knows I take in and use a LOT of analog media. Vinyl, cassettes, 35mm film cameras (and prints), physical books, pen and paper, journals, old PCs... entering my room is like entering a time warp (the lava lamp next to the high-end laptop doesn't help). (We should all count our blessings that I haven't yet fulfilled my dream of owning a Sega Genesis or a Pac-Man arcade console.)

On a recent trip to the city (during which I picked up my film prints from the lab, looked through some vinyl, bought a book -- it would have been two if I'd had the funds; and shot a bunch of film), I began to realise that the reason I purchase/collect/use SO MUCH physical analog media is because it will always be there for me, in ways people never are. You can pull out your favourite photograph at 3am and look at it and escape into the better world, however briefly. You can spin your favourite album at 11pm and as long as you wear headphones nobody gets upset and the poetry will still understand what your own soul struggles to comprehend. If you're alone for the tenth straight day you can sit and read your favourite book and have a companion in Lord Peter Wimsey. Analog media is there when people refuse to be or at the very least cannot be.

Yes, you can accomplish all that on an iPad (books, music, photography, writing, games) and it does take up FAR less space than a vinyl collection and eight camera lenses, but it's not real. You can't touch it, hold it, interact with it on a personal level. It's like playing a synthesizer violin versus playing a real violin. It's the same as texting someone rather than going for dinner with them. Technically, you're talking, but you're not really connecting. Connecting with someone or something is a much more full experience than I think we sometimes want to believe. We have five senses, but most of the time we try to reduce ourselves to one or two.

It's the little physical, in-person things that make analog media a companion on the lonely evenings. It's the feel of dropping the needle in the groove and hearing the soft crackle, watching the cartridge bob up and down. It's feeling the glossy edge of a photo print. It's hearing the spring as the shutter opens and feeling the tug of the film in the sprockets as you throw the advance lever. It's feeling the roughness of the pages as you turn them. It's hearing the soft scrape of the ballpoint on a fresh page in a hardcover notebook and running your fingers over the grooves of the writing on previous pages, watching how your own writing changes from day to day. It's pushing that huge 'Play' button on the cassette player, feeling the resistance of it as you push the entire playhead mechanism into motion. I haven't even talked about the smell of vinyl, and books (new and old), and the cassette booklet, and fresh ink on paper.

One of my favourite roles I've played is the Man in Chair from The Drowsy Chaperone, and that character helps me make my point here. The character is divorced, socially awkward, has some health problems, is a bit of a shut-in. He makes no reference to any friends or acquaintances or even workmates. All he has to console and intellectually stimulate himself is his vinyl collection. This is his escape and his comfort and his window into the world. He doesn't have people around him, so he turns to the next best thing -- vinyl. Vinyl is there for him when nobody in the real world knows he even exists.

How many times do you hear of people with depression or in hard times turning to music, in some form or another, in those times? How many people do you know who binge-watch Netflix? How many people with mental illnesses turn to things like painting or writing, especially during flare-ups? In all fairness I can only speak for myself, but when my depression hits the point (and it has at times) when literally everybody in my entire life gives up on me and outright refuses to interact with me because I'm 'so negative,' you know what? My Electric Eye vinyl still plays. My camera shutter still fires. The book's pages still open. None of these give me crap for not feeling the 'right' emotion at any given moment. They're just there.

I know these deep dark times will recur throughout my life. And I know that 99.9% of the people who say they're going to be there will not be. So I surround myself with analog media as a barricade against my own self-imposed demise.

The Effect of Perelandra

Almost finished reading C.S. Lewis' Perelandra.

READ. THIS. BOOK.

I am not kidding. I do not care who you are. I don't care if you normally hate fantasy fiction (I do, actually). I don't even care if you normally hate reading. READ THIS BOOK. It gets off to an incredibly slow start, but once it gets going it grabs you by the soul. Not the throat, not the heart -- the soul. What the Chronicles of Narnia has lost by being so immensely popular, this trilogy has retained by being almost completely unknown.

Ordinarily I would start thinking, what can I take from here to improve my own writing? But to try to strip writing advice out of a work so -- there are no adequate words -- intense is to strip it of its weight and meaning. And perhaps that would be an unnecessary exercise anyway -- as I was just saying to my brother not long ago: whatever you're reading will, for better or worse, show up in your writing. Your output will begin to reflect what you're putting into your mind, your spirit, your soul. You don't even have to try for it, it just happens. I was telling somebody the other day that as soon as you start trying to be sincere, you're no longer sincere. That particular discussion was in the context of interpersonal relationships and communicating feelings through writing, but it also applies to art -- as soon as you 'try' to make something great, it automatically loses some of its potential to be great.

Instead, I'll try to document some of what this story has done to me.

For it did do things to me. I was reading Buechner the other day and he said something to the effect that things like painting and music are subcutaneous arts -- they get under the skin and slowly seep into your being. But writing is an intravenous art -- it goes directly into your bloodstream, in minutes, undiluted. If I ever doubted that, Perelandra has proved it to me.

I've never really been one to read trashy novels. My mother was a huge book-lover, a teacher, and a bit of an intellectual. My earliest memory of her is of her reading to us. We, her offspring, read copiously as children and teens (that was just what people did in their free time, wasn't it?). And because my mother was very aware that what you read influences how you think, she ensured that we had access to books of substance. Those were what she bought and read to us, and so those influenced our tastes as we began choosing our own reading material. As a writer myself, I can't stand trashy junk-food novels -- the mass-produced brain-clogging recycled intellectual and emotional pablum that serves only to give your eye muscles a little exercise but not your brain. But even though I haven't even been reading trash, this book makes me think 'this is what stories are supposed to be.' This level of intensity, this real, this rich, this deep, this poetic/allegorical to the mysteries of real life. It's like every story I've ever read to this point in my life has been a cheap facsimile of a real story.

I needed to read this story now, at this point in my life. It speaks to so much of what I've been thinking about and going through lately and puts a lot of it into perspective.

For a while now, I've been realising that I'm different, on a fundamental level, from most people. Even writing that sounds a little boastful, and I don't mean it to be. I mean it only as an observation. I'm beginning to realise that not everyone sees what I see (intellectually/spiritually/emotionally) -- they don't make the connections that I do. When artists say 'people don't get it,' they actually mean that -- people really, truly, do not get it. And it's frustrating because to me it seems to obvious, so simple, so logical, if only you pause and think about it a little. It's like I can see -- however dimly -- what goes on behind the curtain of the empirical world while most everybody else seems to not even realise there IS a curtain.

And although the layperson might think it's cool and fun to see things others don't -- I used to think the same thing till I realised I was one of them -- it's actually so frustrating. You can only converse with people in shallow terms on shallow subjects. As soon as you try to steer the conversation to something that actually does interest you, challenge you intellectually, they check out and tell you you're getting 'too personal.' It's like how a mother feels when they're cooped up in the house or the car with their two-year-old all day long -- it's like you can feel your brain atrophy because of the lack of conversational/intellectual stimulation. Except I experience this adult-in-a-room-of-two-year-olds phenomenon indefinitely -- the only person who seemed to 'get' what I see died three and a half years ago.

It's not something to brag about. It's more of a curse. (Yes, I do realise how cliché that sounds, but it's an accurate description.) It's like I'm doomed to forever be misunderstood and patronised. I've written before on how I often feel the weight of other people's pain and concerns -- things that don't bother my life but weigh on them -- so heavily that often I physically can't breathe.

Every so often, usually at a time when the weight seems heavier than normal, I'll ask God, 'why me?' Why did He choose me to be one of the misunderstood, one of the special ones? Must I be alone in this heavy calling to see so much -- and be completely unable to do anything with that information?

(Spoilers ahead.)

There's a scene in Perelandra in which Dr Ransom grapples with the same question -- why must he fight the spirit that threatens the planet's sacred, fragile innocence? Why not Maleldil? Why not anybody else? Why him? He's nothing special. And I recognised, on a gut level, all those questions because I have asked them myself. Why me? Why am I the one chosen for such a lonely life? Why must I be so completely and incredibly alone, in every possible sense of the word?

This, naturally, turned my thoughts to my own half-finished novel Kyrie. The main characters touch on similar questions within their own experiences. Those two characters represent a friendship that I long for in real life -- that platonic intellectual thing that is completely at home and comfortable with the other person in their questions, exactly where they are at, engaging with them but not lecturing. The entire novel is basically me laying out the kind of friendship I long for in real life but -- I'm realising -- may never actually have again. It's the relationship Ransom has with the Green Lady of Perelandra -- intellectual and innocent.

This further turned my thoughts to a specific friendship I'm in -- one that I hoped would turn into 'something more,' as people like to put it, but so far has not. Yet we somehow have remained good friends. This person has seen me at some of my most broken and vulnerable moments and was content to simply exist alongside me in those times, without lecturing or proselytising, just existing and listening (exactly the thing I need that apparently seems to elude everyone else despite my detailed explanations that this is the thing I want to you to do if I'm struggling). Lately I've been wondering if this is, in fact, that deep comfortable companionship I've been longing for. Perhaps we have been denied romance because romance would cheapen (or needlessly complicate) what we have. I have been trying to be more content with our relationship as it currently is -- not focusing on what I want it to be. In the words of the Lady, "The fruit we are eating is always the best fruit of all."

And there's the other question: am I alone?

In that same scene, Ransom eventually hears from the darkness what he must do and despite his fear, he knows (somehow beyond explanation, but I 'get' it because I've experienced that deep certainty myself at times) that he will succeed in his task. It's no secret that the voice out of the darkness is Maleldil, and it's also no secret in the novel who Maleldil represents.

Something in me still doesn't want this answer to be enough (a held-over scar from the Year of Hell), but it's a question I can't not even consider.

(Possibly more thoughts to come as I finish the story.)


REFERENCES
Buechner, Frederick, The Clown in the Belfry, 1992.

The Fading Beauty of a Dream-Chapter

We wrapped up another show's run yesterday. Even though I tentatively have another show on the horizon for July, I still feel the dip -- the sense of having nothing to do, nothing to work for. It becomes a big empty pit in my chest so quickly. It's like waking up from a dream -- I was surrounded by people, some friends even, for a month and a half and now in a matter of twenty-four hours, all of that is gone. The bows have been taken, the goodbyes have been said, and the weight of emptiness/loneliness/purposelessness has settled in.

In many ways, you can never go back. There will never be those exact people in the cast together again -- for some, this was their last show with us. Others will join for future shows. But these people, in these roles, in these shows will never happen again. It's well and truly over, and it will never be truly replicated.

I was reading C.S. Lewis' The Weight of Glory the other day, and in it he mentioned how we often can only see beautiful things when they're ending -- the sunset just as it fades to grey, the final cadence just as its echo dies away. I feel this now -- I was a lot snippier during this show's run than I think I ever have been during a performance run, and there were definite moments when I took it out on people who didn't deserve the amount of snark I gave them. Perhaps I'm becoming a jaded struggling artist with years of experience but nothing really to show for it except a reservoir of bitterness. But today, at the cast party, I realised with more clarity just what I've been missing out on -- all these human lives and personalities and idiosyncrasies that I could have been interacting with but didn't because I was scared they wouldn't want me so I thought it better to stay out of the way.

I've had realisations like this before, which brings me more frustration and despair right now because I also realise this is very likely just another one in a long line. After years of isolation and abuse/being manipulated and now the self-hatred that arose from that even though I'm no longer in that situation, I have virtually zero people/conversation skills. Not only that, I have an impossibly high standard of perfection for myself that means the second I feel awkward (as I do when talking to people), I beat myself up about it for not being better at it, not being more confident, not saying the right thing, not keeping my mouth shut when I said the wrong thing... it's easier to wait for people to come talk to me than jump on that merry-go-round of frustration and futility. At least when they come talk to me, they (sort of) have some idea what they're getting into, so I feel less bad about my stumbling. So now we have this situation where I want to get to know people and interact with them and learn their little things that make them special, but I feel paralysed from actually making the first move.

I'm rambling. When I don't know what to talk about/write or how to finish something, I usually start talking about my insecurities in a desperate attempt to help people understand why I am the way I am. I know I find myself better able to interact with a person once I know where their tender spots are so I can tread carefully when I'm getting near those spots. So I assume others are the same, and it continues to surprise me when they get angry about me about giving them this information about myself.

I'm still rambling.

All I wanted to say was that this ending today -- even though I didn't let myself appreciate the cast during the show's run and was grumpy for most of it -- felt like waking up from a dream. It was a chapter in the beginning of my dream life (being a performer), and today feels like the alarm going off and now I have to go to work and push a pencil and for what? a dead-end job with nowhere to go that means anything. I didn't appreciate the dream when I was in it, but I don't want to leave it. As much as I personally struggled with various things, I do truly love the performing arts world and the people in it, even when that doesn't come across (and I wish it did).



What do you see when they finally turn out the light?
What do you hear when the music is stopped for the night?
Is there an answer
Or just a dancer leaving an empty stage?

~ Leslie Phillips, Beyond Saturday Night, 1983.

The Silence of the Storyteller

Written 14 April 2017, 1.08pm.

Do you know what it's like to pour your soul out in writing to fifty people and have not. one. person. acknowledge your existence?

I go through this every week. But I suppose that's the life of an artist. This is what I wanted. I made my bed, I guess I have to lie in it.

I'm a storyteller at heart. I always have been -- in writing, in acting, in music, in photography, in dance. It would make sense that this innate part of my soul would come to full force in writing -- when I write my update emails from college.

But in today's age of social media, nobody wants to hear stories. They want sensation. They want soundbites. They want Upworthy. They want BuzzKill -- I mean BuzzFeed.

So they lash out at me for talking too much. And then they withdraw from my life because I demand too much of their time and attention.

I have a storyteller's soul. And they hate it.

There's an entry in my journal from June of last year (on the subject of the five love languages): 'Acts of service children are good, helpful little children. Quality time children are just little time sucks -- always taking, but never giving back -- at least not in a 'tangible, helpful, productive' way. No wonder everybody hates us.'
I say 'children,' but this really means 'people.' We're all children at heart.

I go for my first counselling appointment on Monday. I'm scared that they actually will be able to help me. The only way I can get anybody's attention is to whine about how awful my life is. People will give you some (tiny) measure of sympathy/attention (for a limited time) if you're going through a hard time. It's underhanded and manipulative, but I am so desperate for something, ANYTHING, from anybody, that I am about willing to do anything. But if counselling helps with my issues and I'm no longer struggling, I lose the very tiny sliver of care that anybody ever had for me. Then I well and truly am alone. After all, think of how we talk to each other:

C1: Hi! How are you?
C2: Good. You?
C1: Good!
*awkward pause*
C1: Well, better get going.
C2: Yeah... I guess...

C3: Hi! How are you?
C4: Meh. Not great.
C3: Oh, I'm sorry to hear that. What's going on? Can I help?
*insert moderately lengthy conversation*

So basically, the only get to get any length of connection with another human being is to have a sucky life. The thing is, all the Pollyannas of the world hate the people who have a sucky life -- "it's the power of positive thinking," they tell us. "If you think your life is going to suck, then it will." And "nobody wants to hang out with you if you have a sucky life *insert some kind of 'negative vibes/toxic people' crap*."

TL;DR: Just spend some time with me. Just talk to me. Just listen to me. That's literally all I want.


'We shot all our dreamers and there's no-one left to lead us...'
- Larry Norman, 1972

'I need some contact... I'm so tired of talking to an answering machine.'
- Prodigal, 1985

Ramblings on Artists, Depth, and Loneliness

9 January 2017, 9.21pm.

I've been pondering (so what else is new?): I think I'm starting to get an idea of why so many artists commit suicide or get addicted to any number of things.

It's lonely. But not just in that there-are-no-people-around or I'm-always-on-tour-away-from-my-family way. It goes deeper than that. I'm noticing increasingly that people in general don't think deeply -- but I do, and that one difference puts a disconnect between us. I guess I always sort of knew that in the back of my mind... and the fact that since I was a child people have remarked on my (sometimes) acute observations and how 'smart' I am should have tipped me off. 'Smart,' I have learned, is code for 'thinks about deep things.' This, in turn, is code for 'she's weird -- don't hang around her.' Even as a kid I was lonely. I thought it was just because I lived out in the middle of nowhere.

I'm realising, though, that there's this deep-seated loneliness that almost defies explanation. I myself didn't even realise it was there until this school year, though I've certainly felt it all my life. It's this longing to connect, on a soul-to-soul level, to someone, anyone, who thinks about deep things too. Someone who understands why it's important to feel, why we need music and dance and paintings and beauty and stories, what it's like for your heart and soul to ache and not know why. Someone who can see -- at least sometimes -- through my eyes and understand the hollowness that never quite goes away, even when I'm happy and content. This is probably why I have such an obsession with Daniel Amos, David Meece, and Prodigal -- because they saw it too. They feel it too. There are at least three other figures who have ever existed who get it. They can take the words out of my mouth -- and sometimes that is solace enough.

If this is the mind of the typical artist -- if this depth and these feelings are what makes the artist an artist -- no wonder so many of them die young. No wonder so many are addicted to anything that numbs the mind, that turns off these feelings that sometimes seem to hold us hostage whose existence nobody is willing to acknowledge. And suicide -- well, that's the ultimate 'off' switch. But is it really better to live without feeling? It would be easier, yes... but is it really better? This is the question we face more often than we feel we are allowed to admit.

This whole thing is even trickier as an artist with depression. Where does one end and the other begin? What level of deep-seated melancholy is 'normal' and when should I start to get concerned? Am I doomed to spend the rest of my life always seeing the ends of things clearly enough that I can never truly enjoy the beginnings and the middles?

Lone Ranger

18 March 2016, 2.08pm.

Apparently I'm reconstructing my entire life right now.

I was re-reading my post about anger and motivation in my art and it occurred to me that the single biggest thing preventing me from going farther in the dance/choreography side of my art is the lack of a dance team. I keep telling myself that's because there are no committed dancers in this entire country (which is partly true), but it's also because I am literally too scared to ask the ones I do know.

I've become so used to working by myself, for myself for so long that the idea of working with another human being scares me. Human beings have differing opinions and human beings can hurt each other, sometimes deeply. And given the (lack of) acceptance I've felt about being an artist so far and the fact that I'm just coming off of the worst year of my life, emotionally, I want nothing more than to hide my fragile heart away. If just one more person dies or leaves us, my heartbreak may become irreparable and in a person with a history of depression, you want to stay as far away from that as possible...

Basically, I've locked myself in.

I never wanted to be a solo artist. I wanted a team to work with, a big, talented, expressive team that can do huge sweeping numbers in perfect sync while also showcasing the unique qualities everyone possesses. That has always been what I loved in dance and that has always been the sort of choreography I strived to create. But with no-one to dance it -- and with no courage to even ask around and risk the rejection -- it remains mere scribbles on paper. Poetry, music, and literature can all survive for centuries like this. But dance cannot. (I'm not going to get into lamenting that music has a more-or-less universal notation system while people seem to think that mere video clips are all that is needed for dance. You don't expect musicians to reconstruct an entire symphony by listening to a few garbled fragments...)

Point is, as of right now I'm a lone ranger.  I create by myself, for myself. And that's not who I wanted to be. But then who do I work with? I get the sense that no-one in the dance world has anything close to the same goals in dance and choreography as I do. In fact, as previously established, I don't even know what my own goals are. But I know what they're not -- they are to not be ugly, pretentious, and unrelentingly bleak, like modern dance.

Alone In The Music World...

They need a 'Forever Alone' meme for DA fans. Especially us Canadian ones. Who were born after the '80's. Nobody understands us (or, more accurately, me).

I know a few White Heart fans, but nobody even tries to understand the sheer genius of Daniel Amos. I explain it and they say 'That sounds cool! I want to hear it,' but then I play for them and they say, 'I didn't understand it.' Hello? You understood it perfectly when I, in my bumbling horrid way of speaking, explained it to you, but listen to the actual unfiltered genius and you suddenly don't get it? What even?


P.S. -- Big huge screaming-deal exciting post coming up!