Update: Nothing Has Changed (And It Probably Never Will)

I'm tired of being a useless, lazy, stupid, 'entitled,' 'out of touch' failure.

 

I'm in a busy season in my life right now -- a job I enjoy, doing a show that's been on my bucket list since I first saw it in 2018, finally making some measurable progress toward what I've always wanted to do with my life, actually managing to keep up with the household tasks 95% of the time (thanks, meds).

However, despite trying for over three decades now, I have never figured out how to stretch time, or pause it, or beat it, or whatever it takes to pack more activities/responsibilities into every day. And as a result, I sometimes have to prioritise some things over other things. Last week, I prioritised cleaning the kitchen floor over putting away the (already washed) laundry. It's worth noting that every single household chore that I am responsible for got done except for putting away the clean laundry. What did I get for my efforts? An eight-hour lecture that has now bled over into a second ongoing, multi-hour period of silent treatment because I also dared have the audacity to pick the 'wrong' flavour of ice cream for myself.

Yeah. I'm just as confused about this as you are.

I've spent the last 24 hours remembering all those plans I made to disappear, to catapult myself past the wall of sleep, beyond the stars. I stand in our kitchen doing dishes, listing all the reasons I should live... I'm doing a show that I've wanted to do since before I met my husband, I want to go shopping with my best friend again, I don't want to make my parents and siblings have to lose me like that, I want to see all those goals I have set for my dance career get met, I want to see things get better because even after spending thirty years watching my life spiral deeper and deeper into hell with no sign of stopping I'm still dumb enough to believe that it'll get better someday.

I can't talk to anyone about this, I burned all those bridges multiple 'rough patches' ago. Even my best friend snapped at me last time I told her I wasn't doing well mentally, insinuating I was selfish for thinking I was the only person in her life having problems. After that, I realised if I wanted to have any kind of relationship at all with any human being ever, I would have to hunker down and get through depressive episodes entirely alone (my husband made it abundantly clear LONG ago that he was going to be personally offended every time I even alluded vaguely to being depressed). That had worked just fine until now.

Those are all great reasons to live, on paper. But they don't seem to connect with the bruised, bleeding, hacked up remains of my broken heart that's already mangled by third-degree burns. I know logically that those are good reasons, but they don't mean anything to me at this moment, even though I know they do (or at least they should).

Right now, all I can see and hear and feel and taste is how EVERY. SINGLE. TINY. INSIGNIFICANT decision I make is somehow the wrong one. It does not matter what it is, it is always wrong. Even if I ask for clarification a thousand times, everything I do is still somehow wrong. I'm so tired of always having to defend myself and always having to walk on eggshells and giving 275% of myself every single day of my life and still being reamed out for 'not even trying.'

It's just like freaking college all over again. I very nearly didn't survive that. I'm not sure I have the energy or desire left to survive this too. What's even the point? The longer this goes on, the more likely it seems that nothing ever will actually get better, and there's no big reward coming for hanging on to breathing like this.

So how much of my blood do I need to spill to make right the wrong I have done by existing?

Mental Health Update, Year Twenty

The depression is hitting hard lately. I'm so tired and I had a thousand thoughts in my head before I sat down in front of this page and now they're all gone.

This pain is turning me into an animal. It's hard to even walk upright now, the physical pain and the palpable weight in my heart pull my chest to the earth like an anvil hanging off my sternum. I've cried at work three times in the past two days. Nobody noticed. I know my work has become positively shoddy. I feel like if anybody saw the sniveling, growling, barely-human creature I am when I'm alone, I would be sent to a mental institution immediately. I can barely string together a sentence even in front of people. I feel like the persona I put on in front of people is more and more incongruous with who I really am now. And who I really am is this bundle of pain so deep and so intense that it threatens to physically rip my heart out of my chest -- and I would welcome the day.

I'm tired of walking on eggshells. I'm tired of hearing the voices of the people who were supposed to love me in my head, calling me 'stupid.' Maybe I really am stupid, but that doesn't make the word hurt any less. I'm tired of looking in the mirror and not even recognising the person I see. I'm tired of crying. I'm tired of steeling myself for manipulation at work and I'm tired of steeling myself for manipulation at home. I'm tired of having to censor every thought. I'm tired of having to be on high alert to do damage control constantly.

I want to lay down and close my eyes and never wake up again.

They tell you things will get better. They tell you tomorrow's a new day. They tell you ten years down the road, you'll be glad you didn't kill yourself.

It's been twenty years.

Twenty.

Years.

I regret staying in the chair in 2009. I regret walking back to my dorm in 2017. I regret putting the knife back in 2020. I regret putting the knife back again last year.

I regret every single time I didn't take that chance to get out. Because it's been twenty years since depression first entered my head and things have NOT gotten better. I think twenty years is a more than reasonable amount of time to wait it out.

So what's my reason now, all-knowing ones? I've waited. The better life, the hope and fulfillment and peace that all of you PROMISED me would come has not. So why should I wait longer? It hasn't shown up in twenty years, it's not likely to show up now.

And I'm so worn out and I'm so tired of waiting for a better day that will never come.

Writing, Escape, and Control

Originally written 24 December 2021, 2.53am.

I started writing very young.

I took to the written word extremely quickly as a child. I was reading competently at age four and by the time I was eight I was attempting to write books of my own. I was constantly narrating the world in my mind as I watched events unfold, narrating as if I was narrating a book. Sometimes, it turned out, I was (though surprisingly few events in my novels have stemmed from real-life events).

When I was a young (and later an older) teenager, I holed up in my room, hiding from my mother's absolutely unpredictable rages and the awful words about any and all my minuscule failures rushing out of her mouth like swords to my battered soul, writing, on looseleaf, on scraps of schoolwork, on typewriters, on my beside table, on anything I could get my hands on. Writing and listening to music became the only two ways to drown out the horrible sounds of my later childhood and early teen years.

When I wrote, the world in my head dampened the sounds of the world where nobody cared and nobody listened. The aural effect of music filled in the gaps that writing couldn't. I stayed up late into the night and filled the silence with music -- music for enjoyment rather than to smother the awfulness -- and spun out dozens of alternate universes from a curious coalition of my brain and my fingers. At age fourteen I completed my first novel draft, and some seventeen more have followed suit since then.

I joined Facebook, then started this blog. My writing, heretofore a closely guarded secret, expanded onto platforms that people could read. The blog especially was a very raw and vulnerable place for me. Facebook, however, gave me a platform to hone skills I was weak on, such as succinctness (remember the 430-character limit?) and clarity. I had a moderately good run as a pseudo-comedy writer who simply spun everyday events into decently funny one-liners. As I aged and my mental health worsened and I started losing friends to depression, I slipped almost unconsciously into a storyteller/advocate style of writing. I told my own story with unflinching starkness, in hopes that the friends and family who read my vignettes would better understand and be better equipped to help their friends and family with depression. There are so many misconceptions surrounding mental illness in general and depression in particular, and I, as a writer on the inside of both, had a unique perspective -- and I thought maybe a sort of obligation -- to bring to the people. The act of writing about my experiences had the side benefit of helped me to clarify them and even to bring some modicum of healing to my now even-more-shipwrecked soul.

Then I met my husband. Or, more accurately, my in-laws.

Of course they were nice at first. They're still decently nice now, however, many wars were had on the topic of my Facebook posts.

To this day, I'm not sure what their issue is. There is a history of depression in the family, so it wasn't like they didn't understand. But essentially they forbade me from posting on Facebook. Not one single post about mental health was allowed. Not one iota of honesty about myself and my life was allowed. I fought this, tooth and nail. There were many screaming matches, and the wedding was nearly called off multiple times because I could not understand how they could say that they wanted me in their family, yet they wanted to chop off one of the very things that made me ME. Without writing, without honesty, I would not be the same person. That seemed to be exactly what they wanted.

Eventually, I gave in. I was just so tired of the screaming matches. I went back to writing on this blog (luckily I hadn't gotten to the point of telling them of its existence yet) because it was once again the only place I would write whatever I wanted to and not be torn to shreds for the next 4-5 business days.

In some ways, I regret that. I regret letting them control me like this. My husband is great, but his family is an absolutely impossible battlefield of land mines -- sorry, I mean unwritten expectations. The blog is a valuable outlet, but not writing as much as I used to makes me feel like I'm only half of a human being -- and a primarily-dead half-human being at that. I was finally beginning to come into myself as a communicator, and they casually stripped 25 years of writing, of ME, away from me like they were putting groceries away after running errands.

For as long as I can remember, crafting the written word has been a part of my life. And all it took were some overbearing in-laws to strip me of one of the three (3) things that has ever consistently brought me comfort over the course of this life filled with an almost-comical and certainly-unbelievable amount of death and misfortune.

They wonder now why I don't trust them. Why I don't talk. Why I come off as so rude, distant, and angry all the time. Nobody ever stops to think that that's what happens when you take away one of somebody's only coping mechanisms.

Bandwagon Update

I've now been bullet journaling for four months.

I've invested in a Leuchtturm 1917 (in pink, of course), and it is being put to good use. I put my habit tracker in there, along with the NaNoWriMo word count tracker that you've already seen in previous posts. There's a month-at-a-glace page that I stole right out of Ryder Carroll's The Bullet Journal Method, and I merged that spread with a colour-coded budget and a three-point-daily mood tracker -- all on a two-page spread. It's a lot of information all in one place, but that's exactly the point. The colour coding helps a LOT and it's really helpful to have events, money, and mental health information for a full month all at a glance in order to see patterns (particularly since money is a very strong predictor for my mental health). I've put a suicide safety plan spread in there as well with things to try to distract myself, people to contact (with phone numbers), and a list of reasons to live.

I wouldn't say the impact on my life is dramatic, but it's definitely noticeable. I'm remembering things now -- to the point where if I tell my husband that I wrote it down in the book, he knows I'll remember. This was a man who could not (and I think still can't) wrap his head around the concept of needing to write things down to remember them; a man who used to get angry and frustrated with me multiple times every single day because I forgot something and he couldn't understand how I could forget such important things so often. We still argue, but it's far, FAR less than we did before I started bullet journaling.

In the daily logs, I've been marking things that made me happy with a pink heart instead of a bullet. Everything else in the daily logs is written in my black pen, so the pink hearts really stand out. I have an unofficial goal to have at least one pink heart bullet per day. Some days I really have to reach for it, and some days it doesn't happen at all, but it's something to strive for. (Today there will definitely be a pink heart because the local Tim Horton's had a sprinkle and jam doughnut for literally the first time since I moved here in summer 2020.)

My journal is still not flowery or a crash course in visual design and probably never will be. Just colour coding numbers for the mood and budget trackers are enough to keep me busy. But it's practical and everything is in one place, and those are more important to me than prettiness.

Probably the thing I like the most about it is the fact that everything is in one place. I used to have one notebook for dance videos in the works, one for dance class notes, one for choreography in progress, one for writing ideas, one specifically for Kyrie, one for 'random stuff,' one for journaling my actual thoughts and concerns, one for scheduling appointments, one for budget tracking... all of those have been condensed into a 250-page dot journal and a $3 pack of pens from Wal-Mart (the Papermate InkJoy coloured pens, which bleed a little and can be a tiny bit gloppy, except for the black, but the colours are amazing, the price is right, and I will not write with anything besides Papermate because I love the feel of their pens. I've been a Papermate devotee since my early teens and I will stop using them when you pry my Flexgrip Ultra 0.8 from my cold dead hands).

To be perfectly honest with you, everything that has happened to me since summer 2019 is a complete blank in my memory. I don't remember much of anything from 2020. I can only call up the very vaguest of memories from my own wedding in August 2020. A good part of 2021 is gone as well. By the time I finished an eight-hour work shift, I would not be able to tell you anything that happened at the beginning of the same shift. I couldn't even hold a conversation outside of my semi-scripted drive-thru order-taker conversations because the meanings of concepts and words were just -- gone (which in turn impacted my ability to make art and engage with the people around me, which pushed me further into depression and isolation). I had no past, and therefore no present and no future. I felt adrift in an endless ocean where time didn't exist. It was not freeing, as one would be inclined to think -- in fact, it was terrifying. When there is no time, there is nothing else. Nothing exists. It was like being stuck in an abyss. I was losing myself. I had no idea who I even was anymore because I had nothing to look back on, no reference point. Having this journal is helping me feel more grounded and like I'm an actual person rather than just a phantom in a shadowland. I have 'yesterdays' again now, and I didn't for two years. I'm only just starting to rebuild an awareness of myself as a real human being who exists in a real place and not a featureless ghost floating aimlessly in an endless cloud, and so far this journal is a large part in that.

Maybe I'll even manage to remember another update in a couple of months.

Too Much

This week I had another close friend suddenly cut contact with me because I'm too much of an emotional drain on her.

I get it. I really do. It seems unimaginable that somebody could have such as long of a streak of abusers, deaths, and bad situations as I have. It's a lot for anyone to carry, including me. And that's why I turn to people for help and support.

Inevitably, though, my despair-ridden life overwhelms them and they 'step back' for their own mental health.

I do get it. And that almost what hurts the most. I trigger people's worst mental health symptoms. I am the reason my formerly happy friends are now suffering. Maybe depression really is contagious. Maybe I really am God's punching bag.

They say 'just be positive,' but as much as I want to, no amount of happiness and positivity is going to stop the abuse and the deaths and all that pain that just keeps piling up with nowhere to go. Forcing myself to pretend to be happy only distances me from myself because I know deep down that I'm just suppressing the pain and not dissolving it. And if I can't be honest with myself and with my friends, then who even am I? Why even bother? They're not my friends if I don't feel comfortable being honest with them, but they also say they're not my friends because I 'overshare' and I'm 'too negative' when I am honest. To me, friendship is when you can talk no holds barred and no punches pulled. If I can't do that, then you're an acquaintance, not a friend.

But if I try to honour them with my honesty, I get cut off. And the stupid thing is, I get why. I get that they need to protect themselves. But then who's left to help me pick up my shredded heart? Who's left to hold my hand? Who really means it when they say they're always there for me?

I feel like I'll always, only be too much for people. There is something fundamentally broken in me and who I am as a person and it will always ruin every person I touch. I am poison, and despite what some people say that isn't a choice. Do you think I chose to watch my family dissolve? Do you think I chose to be abused by a primary caregiver, the church, the director of my college program, and my voice teacher? Do you think I chose for my friends and my cousin to die horrible deaths? Do you really think I wanted all that to happen? If I could do my life over again, I wouldn't even be born. It wasn't worth it. There were good moments, but they don't outweigh all this insoluble pain. I would rather have never existed. Or at least I wish I had died in that car accident, when I still had the hope of a decent life ahead of me -- before anybody else died.

The Curly-Haired Man (My Side of the Story)

My fiancé discovered my blog, noticed a lack of posts mentioning him, and insisted I write about how we met. I did actually plan to do a post about it, but my depression (as well as my lungs) hit an all-time low and I am still honestly having a hard time getting out of bed every morning. I'm still feeling pretty hopeless and abandoned by God. But my fiancé insisted, so here we are.

(For his version of the story A.K.A. the Cliff's notes version, click here.)

It was during my first show back in Alberta after graduating college. I stayed in Saskatchewan and finished out two other shows (Jesus Christ Superstar and The Sound of Music), then, two days after Sound of Music closed, I packed my entire life -- three years of hopes and dreams -- into my Chevy Uplander and drove seven hours to a new life in Alberta, in a city that I had only seen twice in my life and never lived in. I had a rental place and one show lined up and nothing else. No job, nothing.

As I've mentioned in earlier posts from 2019, I had planned to make my life in Saskatchewan for several years after graduating. I had already made a couple inroads into theatre there and most of my friends were there as well. But in the course of three or four days, all of my plans for Saskatchewan fell through entirely. I had the one show lined up in Alberta... I had almost backed out of it because I had planned to stay in Saskatchewan but I had procrastinated on actually sending the email telling the people in the Alberta show I was backing out. When everything fell through and I made the decision to move to Alberta, I emailed them asking if I could join rehearsals late (as I was in Sound of Music until mid-June). After a week of deliberation, they said I could join late. I would be joining during rehearsal week five out of ten.

I moved to Alberta on 11 June and reported for my first rehearsal on the 15th. The venue was rather farther away from my city than I thought it was, and I ended up staying in the private campground reserved for the actors (rehearsals and performances took place on a massive outdoor amphitheatre). I didn't bring a tent because I despise camping. Instead, I still had my little mattress that I had bought in Saskatchewan sitting in the back seat of my van, and my plan was to simply sleep in the van, on top of the mattress.

During the first day of rehearsals, it somehow came out to some of my castmates that I was planning on sleeping in my van. But before I could explain that I had a mattress and wasn't just sleeping on a bench seat, one woman maybe ten years older than me insisted that I stay the weekend in her camping trailer. I tried to explain, but she would not hear of it -- "you are not sleeping in a van." I accepted the offer, feeling it would be impolite to refuse her kindness. She said her son was usually with her, but he happened to not be there that weekend so she had a bed free in her trailer.

At the time, I was extremely depressed, having been told repeatedly throughout the previous year that I was worthless as a performer. This was the last show I had lined up, and I had prepared to quit performing entirely. I was also by this time starving myself in an effort to hasten my end. My life was ending -- performing arts had been all I had and without it there was no point in eating to prolong it. My plan was to die very shortly after this show ended.

As such, I was not doing a lot of socialising. Usually I'm fairly quick to make friends or at least talk to people during rehearsals for shows, but my bitterness and my fast-approaching death sucked away all my motivation to do so here. I deliberately isolated myself, telling myself that nobody here would really want to talk to me once they knew the real me -- which they would know real fast once I started talking to them because I apparently have this horrible habit of 'oversharing.' My plan, therefore, was to not talk at all. Nobody wanted to hear it, so I wasn't going to share it.

To that end, I brought Lila, my faithful word processor, to the campground with me. I had intended to sequester myself in my van and work on the Kyrie revision. I brought her with me to the trailer. My host went to the washroom building to shower, and I pulled Lila out of my backpack and put in the key code. She returned an error message. I turned her off and tried again. Same message.

A quick Google search (on my phone and 1GB of data) suggested that her memory was corrupted and she was gone for good. I emailed the address provided in her error message, then set her aside and began to mope, sliding into the abyss of boredom and subsequent despair. Lila had been with me for nine years. I haven't even been friends with any humans that long. It was almost like another death.

My host returned. "They're playing some games in one of the other trailers," she said. "I can introduce you to them if you like."

"No," I said. I was too listless and depressed and had no interest in being around people who would inevitably think I was too much if they knew anything about me. She accepted my answer and engaged me in conversation. I did try, though I'm sure my responses came off as somewhat anaemic. After some time, she said, "Come; I'll take you to that trailer and introduce you." I agreed, telling myself it would be good to at least learn more names.

She led me to a tiny refurbished 1970s trailer about the size of a postage stamp and ushered me inside. I found myself in the middle of a dozen people crammed around a table, on a bed, standing on the two square feet of copper and beige linoleum available for standing on. I was offered a chair -- which I declined -- as well as food and a spot at the game table. I declined the latter as well, but ate a couple bites of something, I don't remember what. A man with a red beard stood in the centre of the tiny trailer and said, "This here is Betsy," sweeping his outstretched hand around the air above all our heads, indicating the trailer itself. Everybody introduced everybody else and I somehow managed to more or less retain all the names coming at me.

I leaned against the counter -- there was nowhere else to be, and I didn't feel comfortable sitting and taking up so much space that way. I was coughing a lot due to my ongoing lung issues, and a curly-haired man with with a handsome beard and an orange hat put his hand on my shoulder at one point. "Don't die," he said. I gave him a very brief overview of my lung situation (this particular coughing spell became pneumonia by the end of the show's run).

Throughout the night I noticed the curly-haired man seemed to look at me a lot and I suspected he was flirting with me. But, unpracticed with men as I am, I didn't dare jump to any conclusions. He wasn't making me uncomfortable, so I stood where I was and observed his behaviour. I was suspicious enough of his intentions by the end of the night that I texted my best friend about it before I went to bed that night. She told me not to freak out, and I tried my best to take her advice.

The next day, we were rehearsing in a large tent due to weather, and the curly-haired man came up to me and flicked the brim of my sunhat.

"Hello," I said, too taken aback to think of anything more eloquent.

"Hello," he said with a smile.

Over lunch I texted my best friend about the incident and she said, "he's into you. Guys don't flick girls' hats if they're not interested in them." I began to freak out a little bit. I couldn't deny I was somewhat drawn to him, but after a previous bout of male attention I'd gotten during a show the previous year, I had made a rule that I don't date guys I'm currently in a show with. If they are still willing to pursue something after the show closes and we're not spending sixteen hours a week in rehearsal together, that's fine, but I was absolutely not interested in dating someone only for the duration of a show's run again. To be getting this kind of attention from a castmate again unnerved me.

As rehearsals progressed, I continued to find myself drawn to him, despite my repeated attempts to deny it even in my own head. Every move I made was soon calculated to be near him as much as possible without it looking like I was trying to be near him as much as possible. (Apparently I succeeded, as he didn't fully realise I was hanging around him deliberately until I told him this after we started dating.) I would watch the entrance to Betsy from the side mirror on my van, and if I saw him go in, I would wait a few minutes, then go in. I never went to Betsy unless I saw the curly-haired man go in first.

During one of these visits, he and I ended up sitting on the bed/couch, in the corner, talking. He told me his entire life story, plus the stories behind all his tattoos -- some three hours' worth of material. I was so fascinated that somebody else was willing to tell me their entire life story, the good and the bad, and drank in every word of it. It was a nice change from me having to bare my soul. I think it was during this conversation that we exchanged phone numbers.

At some point, we developed a pattern of him walking me to my van at the end of the night and giving me a good night hug. I'm not a touchy-feely person, but I was extremely touch-starved and always felt safe in his arms, with my head resting against his chest. I began to look forward to the nightly hugs and would replay them over and over in my head once I was in bed.

Eventually I added him on Facebook... along with about eight other people in the cast so it wasn't as obvious that I was just adding him.

Opening day dawned extremely rainy. Our campground was quite close to the river, and the rising levels were visible to the naked eye. We were told the show would go on that evening, so during the day the cast either hid out in their tents or gathered in the big central tent in the middle of the campground. Several of us spent the day playing card games -- mostly Racko, a game my dad and I have played for years. The curly-haired man sat beside me.

Near the end of the game session, when people were starting to make their early suppers before going to the amphitheatre, my text alert went off. It was the curly-haired man. 'You're awesome,' it said. I wasn't sure how to respond, but eventually settled on 'Thanks... so are you.'

He was called to the theatre earlier than I was to review the stunts. When I got to the theatre for warmup, he met me at the warmup location and we started chatting. He brought up his text to me, then said, "I almost used a different word."

"What do you mean?" I asked.

"'Like,'" he said. "The word 'like.' I like you. You're a cool girl."

I stared off into the horizon, not sure of how to respond. I don't actually remember how I responded. I remember thinking how I had to focus on the show and not the fact that a man I was not willing to admit I was drawn to had just said he liked me. I had never had that happen in my entire life. I'd had guys flirt with me and even take me to dinner, but none of them had ever been man enough to actually admit they were interested in me.

I managed to get through the performance without being too distracted, and after opening night, the production team held an ice-cream social for the cast. He and I sat next to each other and the topic quickly shifted to us, as friends.

"What do you want it to be?" I asked him.

"I'd like to get to know you more first," he said.

I nodded.

"If you're okay with that," he added.

"I'm just skittish," I said.

"Why?"

I told him my rule and the story behind it -- how someone from a show I was in led me on and then ghosted me, and how I later found out he was dating a friend of mine (from the same show) and was cheating on her with me.

"That's wrong," he said. "If you don't want to date till after the show, I'll wait."

I told him I appreciated that, and we continued our friendship. We began texting each other during the week -- constantly. Eventually I texted my dad, letting him know of the developing situation. He and my mother were planning on coming to the show the next weekend and I wanted to hear my dad's impression of my curly-haired friend. I did not, however, want anybody else to know in case it didn't work out, and I swore my dad to secrecy.

That Friday, I admitted to the curly-haired man that I liked him back. I still remember the look on his face. My parents saw the show Sunday and I managed to introduce him as a friend. It raised no suspicions from my mother, as I had so many theatre friends already so what was another one? But I had texted my dad his name, and when I said, as casually as possible, "This is Jacob," my dad caught the significance of the introduction immediately. I managed to draw my mother into a separate conversation as Dad and Jacob talked for a few minutes.

I should mention at this point that what I fell in love with was his tender heart and kind personality. I was actually not physically attracted at all at first -- which was the way I always wanted it to happen. I never wanted to fall in love with a guy's looks; I wanted to fall in love with his heart. I don't remember the exact moment I fell in love with his heart because it happened quite gradually, but I remember the moment I fell in love with his looks...

The dressing room for an outdoor amphitheatre is little more than a shack behind the set lined with wooden benches and covered with corrugated tin. There are no walls except the set wall itself. Jacob and I happened to have claimed spots on benches that were back to back. I could look across and just to the left and see him.

One night after the show, he went to put away his costume, and I hung around on my side of the bench, looking at my phone as I waited for him to come back. I heard him return, but didn't look up until he asked me a question. I looked up and his face was RIGHT THERE -- all hazel eyes and freckles -- and for the first time I felt my heart skip a beat at the sight of a man.

We continued talking through the rest of the show's three-week run -- joking about dating and even marriage, but with the understanding that we were not actually discussing dating until after the show. It didn't stop the speculation among our castmates though... Jacob would come hug me before each show and during each intermission in addition to our ever-lengthening good-night hugs. We began holding hands, less and less covertly. It was little surprise when people starting asking if we were dating, and it became harder to answer that question.

He discovered fairly early on that I was only just eating enough to stand upright, and he used his texting privileges to plead with me to eat (spoiler: he still does).

The night before the final weekend of the run, we got talking about it again. I asked what we were doing, and he said, "It's up to you. I've already told you how I feel and what I want. But I want us to decide together, not just me. I won't pressure you into dating. I'll just wait and not say anything about it until you're ready."

"No," I said. "Let's try it."

But we didn't use the words 'we are dating' until two days later. There had been a situation where our friend group had decided the night before to go out to the dollar store that morning. I had been part of this discussion and was, I thought, part of the invitation. I had no connections in my new home city yet so this was my final opportunity for human interaction. I had told them to wake me when they were ready to go.

That morning I woke at 11, found my curly-haired man, and told him I was ready to go.

"We already went," he said.

It gutted me. I was in a funk for the rest of the day. Another friend tried to cheer me up but I couldn't shake the feeling of betrayal. Finally, Jacob invited me to walk with him and we wandered around the campground. He apologised, explained the reason for the change of plans, and said he had tried to wake me but couldn't rouse me (this was entirely believable as I will probably sleep through the apocalypse). Then he asked my forgiveness. I gave it to him, and the conversation turned to other things, namely, our relationship status.

"What are we doing?" I asked. "Are we dating?"

"Do you want to?" he asked.

"Yes."

"Then we are dating," he said.

And that's how I started dating a curly-haired fellow actor in a show that I almost wasn't in. We are now engaged, set to be married within a year.

It's weird -- part of me never thought I would date anyone, let alone get married. I always thought I would be too much for anybody -- after all, literally everybody in my life up to this point has had that exact complaint... 'you're too much.' 'Nobody will ever love you.' 'You need to be more positive before anybody will want to have anything to do with you.'

How then does a man fall in love with me while I am actively starving myself because I had tried so hard to be positive and make myself fit their mould and I couldn't? Was everyone else lying? Is he sent from God? Both?

It is no exaggeration to say I am still alive today because of this curly-haired man. Recovery is still ongoing, but he is just as stubborn as I am. He wants me to live even more than I wanted to die (which was quite a lot). He is slowly convincing me that I want to live too. I am glad I met him and I am even more glad that we get to spend the rest of our lives together.

I Am Trying, I Swear

I picked the literal worst year in the history of Alberta to get married.

I've had almost ten other perfectly good, not-economically-abysmal years that I could have used to meet him and get married. But nope, dumb Kate has to pick this year, of all years. Nobody in Alberta has money, and even less people in Alberta have any sympathy. Alberta is a province of hard, determined workers who will themselves into a job and have exactly zero sympathy for anybody who's struggling to find work. It is worse in Alberta to be on financial assistance than it is to be a Nazi.

It's so frustrating. I only moved back to Alberta because I got no paying work after two years -- read that again, two years -- of job-hunting in Saskatchewan. I have applied for I swear every single job in Alberta. Every single one. I have applied for everything I may be even remotely qualified for, and even quite a few jobs that I am not qualified for. I have applied for everything, in pretty well every field of employment. Cashier, food services, waitressing, construction/contracting, sales associates, secretary, janitorial, grocery clerk, post office, farmhand, dishwasher -- you name it, I have applied for it. I promise. I have applied for all of the above in five different towns/cities in the past two days, in fact.

I cry a lot nowadays -- half because I miss my sweet fiancé so much (stupid long-distance), but half because I can't fund my own wedding and I'm losing to ability to convince everyone else that I really actually do want to help finance my wedding. Even his family seems to think I'm expecting a free ride somehow but I swear I am not. I am trying as hard as I know how and if there was a way I could be guaranteed a job, I would have done it already. My parents are experiencing their absolute worst year financially since I was a very young child, so they can't afford to help me out, no matter how much they would love to. I swear I'm not being lazy. I would absolutely pay for this entire wedding out of my own pocket if I could. If it has to be, I will go beg on street corners to get the money together for this wedding without asking any of our family for any more help. I am NOT lazy, and I am NOT looking for a free ride in anything. I know it takes hard work. All I'm looking for is a job.

It would be so easy to just move in together and call it done. It would be a hell of a lot cheaper and way less stressful. But I really want to do this right. I want to have an official Christian wedding. I want to be married before we live together. I want to do the right thing.

Yes, we could sign documents, get legally married, and have a party later -- but we all know the 'have a party later' thing never really happens. If we don't pull together the money for it now, will we really have the discipline to pull it together later, after we're already married? What's the point of it then? People won't take it as seriously then and then they're less likely to come celebrate with us anyway.

Sure, we could postpone the wedding a year or two -- but I hate this long-distance thing. I hate being apart from him, and I want to be with him as much as possible as soon as possible. (For the record, we already have postponed our wedding three months.)

We've cut down the budget as far as it can go. We got our wedding down from an initial $10,000 projected budget to $4,000. We are getting a lot of things at a reduced rate due to networking. There is nothing else we can cut... except the dance.

I never planned out my future wedding as a child, a teen, or even a young adult. I didn't have a dream venue, or dress, or flower arrangement figured out, or a Pinterest board of decorations, or a playlist of songs I wanted. The only thing -- the literal only dream I had about my future wedding (if there even was one) was the dance. I wanted a dance.

I was flowergirl in my aunt and uncle's wedding when I was young. The only thing I remember about that wedding -- besides cupping my aunt's face in my little five-year-old hands and telling her she looked beautiful -- was the dance. I watched all sorts of people get onto the dance floor and dance to the music and I loved it. From that age, I knew that if I ever got married, I wanted a dance at my wedding. That was the only dream I had about my wedding before my engagement. The only one.

And of course that's the most expensive thing. That's the easiest thing to cut, financially. Both the hall and the DJ are big-ticket expenses, and both are dispensable. This puts me into a state of extreme stress (even more than unemployment already has done)...

I want a dance. It's my only dream.

But it's expensive.

But that was the only thing I ever dreamed of having at my wedding.

But you could cut the budget in half if you dropped it.

But it was my dream.

But you don't have a job. You can't fund it. And you can't in good conscience make everyone else fund it when you're already contributing diddly-squat.

But I've always wanted a dance.

It's not like it's a necessity. Grow up.

But I'm only ever going to have one wedding...

And now I'm crying again.

It's starting to feel like God made me defective. Literally all my passions are the exact things that western society will not pay for. Even my artistic siblings have jobs, side passions that fit neatly into a trade or at least something that will pay them minimum wage. I'm willing to learn stuff outside of my passions -- I already have for previous jobs -- but first somebody in this God-forsaken prairie has to actually hire me.

I pray so much about this. I beg and I plead and I yank desperately at the hem of God's cloak but still He is silent. Just like He always has been toward me when I have been in need. I try to do the George Müller thing and not ask anybody else for money and just trust God for it but then my gas tank is empty again and I have rehearsal in literally forty-five minutes and I have no choice but to beg my friends and family on Facebook for money again. And I feel like scum doing that. I feel like the worst specimen of humanity when I have to beg my friends for money just to put gasoline in my vehicle. A lot of times it does feel like I would be better off dead -- I wouldn't cost anything anymore. The literal only thing that stops me is the thought of how devastated my fiancé would be.

I hate that all I think about now is money. I hate that everything is so tied to money. I hate that I'm obsessed with it now, but I have to be -- you cannot exist in western society without it, even if your tastes aren't expensive and you know how to stretch a dollar. A dollar only stretches so far before it breaks.

Everyone talks about the faithfulness of God. Everyone else talks of His miracles of provision. I can't even tell you how many people just in the past week have said to me, 'just let go and let God,' or 'just pray more, and I guarantee...' You don't think I haven't been doing that? You don't think I have prayed my face off for the past two years of my unemployed (and therefore worthless) existence? I have confessed sins, I have prayed for guidance, I have taken risks, I have worked hard, I have tried. What yet do I lack? What magical ingredient am I missing that God still requires from me? I thought His grace to us was just that -- grace. Not based on our merit or our works, but our need. Not once have I pointed to my Bible college degree. Not once have I pointed to a lifetime of church attendance and tithing. Not once. All I have said, over and over and OVER again, is, 'God, you know I need to be able to pay for this. Please help me. Please provide.'

And He is silent.

I have great need, God -- and only some of it is financial. Do You care or not?

Numbness and Rebuilding (Part I)

28 July 2019, 2.01am.

I've just begun the process of rebuilding... rebuilding everything.

In June I completely uprooted and moved to a city I'd only seen three or four times in my entire life. I had $200, no job, and only one show lined up. As alluded to on this blog, I was already not in a great place mentally or physically (college had sapped the last of my strength), and the anonymity of the unfamiliar big city gave me the chance to do what I'd always wanted -- to spiral.

I deliberately put on a brave face at rehearsal. I did more acting backstage than I ever did onstage for that show. Because I knew if anybody knew I was about to give up, they would try to fix me for about two weeks (a month at best) and then turn their backs on me, most likely with a cutting tirade about how I was 'too much' and 'not trying hard enough.' I already knew all that, I didn't need to hear it again. I've had this happen so many times I have the script memorised, even though the other person always thinks it's improv. Better to not even start the show.

By the last weekend of the show, I had almost completely stopped eating. The cooler I brought to the campground was mostly just a prop for the show of 'I'm fine.' I did a three-hour performance on a pizza pop and a container of yogurt -- as in, that was all I had eaten all day. At the cast party after the final performance one of my castmates literally had to carry me to the food line because I was so depleted I couldn't stand on my own. I wanted to tell someone but I knew no-one would believe me because I've struggled with this so publicly and I knew I was beyond help because of the sheer severity and stubbornness of my condition. It was my last show anyway, with no plans or hopes of any others on the horizon... this was the best way to go out. Just fade away into obscurity, like so many artists before me. Literally, physically, fade out. It was better than burning alive. And it was better than suffocating.

The only person I had even sort-of opened up to on that cast was that castmate who carried me to the front of the food line. Even he didn't know the whole story, but he knew I had a history of depression and he had figured out that I hadn't been eating. For two weeks -- probably longer -- he texted me every day, multiple times a day, insisting that I eat something. I literally only ate one bowl of cereal each day for at least a week, even in the face of his insistence. I was so depleted that I couldn't have made anything more substantial even if I had wanted to.

At some point, for some reason, I decided to rebuild my tap repertoire... it had deteriorated significantly since I had essentially stopped practicing in February. I made up a schedule, holding myself to only half an hour each day, just slowly and calmly learning a piece I had choreographed about a month and a half before. I gave myself two weeks to learn it. Just that, nothing else. No rush. No pressure. Just learning the dance.

The first (spoilers: only) day wasn't hard on my body so much as it was hard on my mind. The last time I had practiced dance consistently was at a time when I was trying desperately to prove myself, as my program director and I were clashing with greater frequency over my lack of ability and whether or not I was actually trying, as my carefully-laid plans to move to Regina and pursue my career there crumbled around me. I had largely forgotten all that -- not 'gotten over' or 'worked through,' forgotten... numbed by the ache in my hollow stomach and the fog clouding my undernourished brain. Dancing again brought all those old feelings back, all that barely-cold criticism, all that still-smouldering self-hatred.

But the numbness didn't completely go away. And I was able to hold onto that numbness through that practice session. The venom of the words that so many have spoken to me didn't bite anymore. The sharp sting wasn't gone, but it was dulled. I had accepted my fate of literally physically fading into nothing and as such I had nothing to prove anymore.

'You'll never be good enough. You don't try hard enough.'
Yeah, I know. So what does it matter to you that I'm stretching today?

The overwhelming numbness drowned out the answer.

What I Will Never See

I don't know if I'll ever fully realise just how sick I am. I'll probably never be able to see what the people around me see -- my friends who have looked me in the eye and said, "You need to go to sleep," the ones who still 'like' my (now-rare) dance clips on Instagram, the ones who have literally taken me out for food because I haven't been eating. I'll never be able to see the potential that they see in me; why they keep prolonging my life. I wish I could -- for just five minutes. I wish I could see what they see, why they insist they don't want me to die. Because all I see is guilt -- I think they say they want me to live because they'd feel guilty if they didn't say that.