Showing posts with label Lila. Show all posts
Showing posts with label Lila. Show all posts

12 November 2023

NaNoWriMo, Day 12

I have never been so prepared for NaNoWriMo.

I actually outlined this year. I used to mentally lock up at the mere mention of an outline, but the fact that I finished a full rewrite of Kyrie in large part due to an outline has made me rethink my process a little bit.

Mind you, I haven't done a full outline. I only plotted about three-quarters of the way, and I'm okay with that. I don't want to know where exactly this is going to end up, but since I have so little writing time nowadays, I'm finding I need to have a clear idea of what's coming next every day so I'm not just wasting hours filibustering. Don't get me wrong, I liked the filibustering -- that's part of the fun -- but between the full-time job, hunting for a job that will pay me a living wage/not demonize me for being injured and in severe pain, trying to keep ahead of my husband's multiple health issues, and trying to not ruin our marriage by being so burnt out by work, I simply do not have time to filibuster now. (That's also why I don't post here as much. I want to, but I'm so burnt out by work that half the time I come home and literally stare at the wall for hours, trying to even begin to recover.)

Day 1 started out surprisingly well. I managed to rack up 2,252 words, the overwhelming majority of them on Lila, my Neo (the second iteration) while waiting for supper to cook.

Day 2 started rough (overslept and also spent almost 45 minutes on hold with Amazon customer service because they screwed up my order), but managed to make up the word count in the evening.

Day 3 was the first time (of many) I struggled to make the word count. There's definitely a logistical flaw in my story, and I'm still partly in revision mode from the Kyrie rewrite so it was hard to me to let it go and continue the story without solving the problem.

However, I did rediscover Margaret Becker's music and have been playing the heck out of it. Every song is a straight up banger and I feel like I can conquer the universe after listening to this stuff. How have I not fangirled over her work before? Now I understand why my mother had her music on repeat all the time when I was a kid.

Week 2 was basically a write-off (not in a good way). More marital problems (it seems these always crop up whenever I'm trying to do something creative), and work problems conspired to make this week one of the worst NaNoWriMo weeks I have EVER experienced. I say this as a fourteen-year veteran of the sport with nearly 20 NaNoWriMo-born rough drafts in my folders. There were several days that I didn't even make 1,000 words, and I don't think I have EVER done that during NaNoWriMo before.

After one of the worst writing weeks in my entire writing life, I decided that since the work problems are likely to continue (they are mostly management related and not likely to improve anytime soon) and marital problems happen at the most inopportune times, I would build up a massive lead this weekend. 

It's going well so far. Day 11 (yesterday), I racked up 4,187 words, bringing the novel's total to 22,006. So far today I've gotten to 25,128 words and might poke at it a bit more tonight. I do have tomorrow off as well, but we've got some errands to run so the numbers may not be as big. But I want to get as close to 30k as possible before I go back to work on Tuesday.

I'm not feeling the story yet, but I've had a couple of small bursts of inspiration and the outline has definitely helped a lot. I've had to remind myself that exposition is okay right now (there was a metric ton of exposition in Kyrie, and I've spent the better part of two years trying to convert those long swaths of many-weeks-compressed-into-two-paragraphs into actual scenes with motives and tensions and resolutions and foreshadowing -- but all of that takes days, if not weeks, at a time).

Lila has been indispensable this year. I'm pretty sure this is the most I've worked with Lila since before I went to college. Even at home, I've been using her to write, and of course she comes to work for writing on my break (I usually manage about 300 words or so on break, which is 300 words less that I have to write after work when I'm so angry and frustrated at my job that I'm literally crying).

TL;DR: Still not fully 'into' my story, work sucks and is profoundly affecting my writing (more than college ever did), but I'm spending this weekend building a word count cushion, Lila is awesome, and I love Margaret Becker.

04 August 2022

A Friend Restored

Anybody who's still alive from the olden days of this blog may remember me referencing Lila, my Neo 2 portable word processor.

Lila died after a brief illness in June 2019 -- the day I met my husband, actually. And while some depressingly poetic souls might try to turn this into a 'death to the old to make way for the new' story, I disagree. Lila was my friend. I couldn't bring Brittney or M back, but maybe, one day, I could bring Lila back.

She languished in my closet for three years as I waited for the day. My brother gave me his own Neo 2 that he wasn't using (a slightly newer model who I affectionately if somewhat awkwardly called 'Lila 2'). Lila 2 suffered an even more brief but similar illness in November 2021 and died on Day 17 of NaNoWriMo. Luckily I was far enough ahead by then to absorb the blow of not writing an extra thousand words during my lunch break, but I did feel the loss deeply.

As the world begins to open up again and I begin to travel more for performance training and opportunities, I miss being able to whip out that little device on the bus or in a guest bedroom between classes or rehearsals.

Months ago, when I was bemoaning the loss of the Lila twins in a Discord group, somebody sent me a link to a tutorial for changing the little button cell battery. Suddenly there was hope. The symptoms they both showed during their illnesses could very easily be explained by a dying backup battery, and both units were old enough to conceivably have this issue. (I had also been hyperfixating on The 8-Bit Guy's restoration videos during most of the pandemic and wanted very much to try doing a simple repair of an electronic device simply because it looked so satisfying.)

There was nothing to lose. Both machines were unusable in their current state anyway. I bought two CR2032 batteries, popped out the AAs and cracked open Lila 2.

The hardest part was getting the old battery out. All the objects with skinny pointy ends in the entire house seemed to be made of metal and the last thing I wanted to do was short out the motherboard for good, as fixing that is definitely beyond my abilities. After trying my fingers, wooden knitting needles, and the hard end of a shoelace, I finally cut a fuzzy end off of a Q-tip and that did it (no, we don't have toothpicks in the house).

The next hardest part was getting twelve very small and fiddly screws back in. I spent six years in construction and screws don't scare me, but one was a particularly stubborn little thing and I had to enlist my husband's help in the end.

I put the AAs back in and tried to power it on. The screen remained blank. My heart dipped a little, but I plugged it into the computer, whereupon the screen lit up and asked if I had changed the internal battery. I pressed Y and it told me to press Enter to restart. I did, and within seconds it appeared to be ready. Of course everything had been wiped, as I had expected. When Lila 2 started showing symptoms of the same illness that had taken her predecessor, I had backed her up immediately (unfortunately I had not been so proactive the first time around, but I have come to terms with the fact that everything on the original Lila is now irretrievable). After a few minutes, I unplugged it from the computer and tried again to power it on.

Nothing.

I began to panic slightly more. The entire point of having a portable word processor is so that I don't have to carry my laptop around. It's no use to me if it only works when connected.

But in the spirit of trying everything, I raided my husband's remote-battery stash for more AAs and tried again to power it on.

It worked.

I almost screamed. I typed a few sentences, turned it off and then on again, typed some more, ran into the room where my husband was live-streaming and danced excitedly by his desk until he looked at Lila 2's screen.

One down... one to go.

Lila the original is in a bit rougher shape. I had a sibling dump a Tim Horton's frozen lemonade into her keyboard many years ago. Her motherboard seemed unaffected, however, quite a few of the keys stuck, especially on cold days. Not only that, the Caps Lock key came off right around the time of her death. I remember saving both the key and the scissor mechanism, but I've moved three times since then and could not begin to tell you where that key and the mechanism are now. Could I still use the button without a proper key? Yes -- the plunger's still there -- but if I'm going to restore her, I would like to restore her to her former glory.

I'm just happy knowing it's possible and that I have one of my buddies back with me for November. I already have a plot that I'm very excited about, and I feel much better knowing I'll be able to write on the go both during the event and in the pseudo-planning time leading up to it.

For once in my life -- a friend died and it wasn't permanent.

22 November 2021

NaNoWriMo - End Of Day 21

Still struggled a lot this week a lot with the 'I know where this story needs to go, but I don't know how to get it there,' thing.

I knew who the villain was, and I even managed to plant some half-decent clues, but all the clues point to why the brother was murdered. I could not figure out how to plant a clue (or even what clue to plant) to bring the detective MC back to the kidnapping case that she was supposed to be working on. I've written kidnappings before, but this one seemed more difficult somehow. Maybe my standards are just so much higher now. I haven't even written a scene from the kidnapped kid's perspective in like 20,000 words because I just don't have any ideas. All she (detective) had was this 'sense' that they're connected, but absolutely zero proof of that, and I didn't know how to provide it.

MC was making a ton of progress on her brother's case though -- you know, the one she was not supposed to be working on.

It's turning into another church drama, which I guess was the point. Apparently I really like those -- exposing the sins of a so-called 'perfect' institution. This was a theme in my writing even before the church ever really hurt me. For this story I'm drifting from my usual Baptist one (Baptist churches are the worst for sweeping crap under the rug and spraying lethal amounts of Febreeze over it when it starts to stink) to a more word of faith-style church -- which I think is what a lot of Baptists have bought into anyway and that's why they treat people so badly and are so resistant to change or even admit that they might possibly be wrong (how many Christians on your news feed are both anti-vax and anti-mask right now?).

In addition, my formerly trusty Neo 2 word processor, Lila II (she was the second one), died on Day 17. This means that I can't write at work (I would get anywhere from 300-800 words in a single lunch break), and this has upset my momentum significantly. I went from easily making over 2k per day to struggling to make it to the minimum 1,667. I am still way ahead in my total word count though (currently at 45.7k, goal for Day 21 is 35k). Some very kind souls in the Discord forums sent me some resources, so I may be doing some Neo surgery come December. By my own diagnostics, it's either a loose wire or a broken/damaged trace, although I'm going to try replacing the button cell battery that I didn't know Neos had until said kind souls sent me said resources. I was at least able to back up all of her files to my computer, so I won't lose anything. If surgery goes well, I'll try to resurrect Lila, my original Neo 2, which died in 2019 following similar symptoms.

Also, the word tracker is SO helpful. I'm really glad I'm using different colours because it really makes the tracker easier to follow. And it's still really satisfying to colour in the progress bar every day (even though it's so long now that my hand gets tired. I guess that's a good problem to have). It's also come in handy when talking to people about the project -- all I have to do is flip to the spread and show them what the minimum goal is, and where I'm at in relation to it. It's all right there in one graph, and it's easier than trying to explain all these numbers to people who have little to no context for them (it also makes being 10k ahead far more impressive). I've actually had people ask to see it by way of an update. Definitely going to be doing the tracker thing again next year (and I would also really like to figure one out for National Choreography Month in January).


(And now, back to our feature presentation...)

Last night, my husband and I were talking about my stuck-ness and he mentioned footprints at the scene. And that was all I needed.

I planted the child's footprints at the scene (which also boosted my word count because then my detectives had to figure out/explain why they didn't see the footprints the first time they studied the scene) and also got the idea of the detectives re-interviewing the kid's best friend. He is proving to be much more informative than he realises -- he unwittingly gives them not only the name of the villain, but the motive behind the kidnapping.

I also know exactly how justice is going to come about now. I'm at the point now where I've tipped the starting domino of the climax, and my job from here on out is just to write like the cold snowless wind outside to keep up with the coming cascade of events. This part is one of the best parts of National Novel Writing Month. I still remember the Day 30 rush of writing 10k in one day back in 2012 not because I was that far behind but because there was so much coming together and it was beautiful and fascinating to watch. That's the moment I live for every year. That's the reason I put myself through writing an entire novel from scratch every year. And that was what I've been missing for the past seven years.

21 January 2020

The Curly-Haired Man (My Side of the Story)

My fiancé discovered my blog, noticed a lack of posts mentioning him, and insisted I write about how we met. I did actually plan to do a post about it, but my depression (as well as my lungs) hit an all-time low and I am still honestly having a hard time getting out of bed every morning. I'm still feeling pretty hopeless and abandoned by God. But my fiancé insisted, so here we are.

(For his version of the story A.K.A. the Cliff's notes version, click here.)

It was during my first show back in Alberta after graduating college. I stayed in Saskatchewan and finished out two other shows (Jesus Christ Superstar and The Sound of Music), then, two days after Sound of Music closed, I packed my entire life -- three years of hopes and dreams -- into my Chevy Uplander and drove seven hours to a new life in Alberta, in a city that I had only seen twice in my life and never lived in. I had a rental place and one show lined up and nothing else. No job, nothing.

As I've mentioned in earlier posts from 2019, I had planned to make my life in Saskatchewan for several years after graduating. I had already made a couple inroads into theatre there and most of my friends were there as well. But in the course of three or four days, all of my plans for Saskatchewan fell through entirely. I had the one show lined up in Alberta... I had almost backed out of it because I had planned to stay in Saskatchewan but I had procrastinated on actually sending the email telling the people in the Alberta show I was backing out. When everything fell through and I made the decision to move to Alberta, I emailed them asking if I could join rehearsals late (as I was in Sound of Music until mid-June). After a week of deliberation, they said I could join late. I would be joining during rehearsal week five out of ten.

I moved to Alberta on 11 June and reported for my first rehearsal on the 15th. The venue was rather farther away from my city than I thought it was, and I ended up staying in the private campground reserved for the actors (rehearsals and performances took place on a massive outdoor amphitheatre). I didn't bring a tent because I despise camping. Instead, I still had my little mattress that I had bought in Saskatchewan sitting in the back seat of my van, and my plan was to simply sleep in the van, on top of the mattress.

During the first day of rehearsals, it somehow came out to some of my castmates that I was planning on sleeping in my van. But before I could explain that I had a mattress and wasn't just sleeping on a bench seat, one woman maybe ten years older than me insisted that I stay the weekend in her camping trailer. I tried to explain, but she would not hear of it -- "you are not sleeping in a van." I accepted the offer, feeling it would be impolite to refuse her kindness. She said her son was usually with her, but he happened to not be there that weekend so she had a bed free in her trailer.

At the time, I was extremely depressed, having been told repeatedly throughout the previous year that I was worthless as a performer. This was the last show I had lined up, and I had prepared to quit performing entirely. I was also by this time starving myself in an effort to hasten my end. My life was ending -- performing arts had been all I had and without it there was no point in eating to prolong it. My plan was to die very shortly after this show ended.

As such, I was not doing a lot of socialising. Usually I'm fairly quick to make friends or at least talk to people during rehearsals for shows, but my bitterness and my fast-approaching death sucked away all my motivation to do so here. I deliberately isolated myself, telling myself that nobody here would really want to talk to me once they knew the real me -- which they would know real fast once I started talking to them because I apparently have this horrible habit of 'oversharing.' My plan, therefore, was to not talk at all. Nobody wanted to hear it, so I wasn't going to share it.

To that end, I brought Lila, my faithful word processor, to the campground with me. I had intended to sequester myself in my van and work on the Kyrie revision. I brought her with me to the trailer. My host went to the washroom building to shower, and I pulled Lila out of my backpack and put in the key code. She returned an error message. I turned her off and tried again. Same message.

A quick Google search (on my phone and 1GB of data) suggested that her memory was corrupted and she was gone for good. I emailed the address provided in her error message, then set her aside and began to mope, sliding into the abyss of boredom and subsequent despair. Lila had been with me for nine years. I haven't even been friends with any humans that long. It was almost like another death.

My host returned. "They're playing some games in one of the other trailers," she said. "I can introduce you to them if you like."

"No," I said. I was too listless and depressed and had no interest in being around people who would inevitably think I was too much if they knew anything about me. She accepted my answer and engaged me in conversation. I did try, though I'm sure my responses came off as somewhat anaemic. After some time, she said, "Come; I'll take you to that trailer and introduce you." I agreed, telling myself it would be good to at least learn more names.

She led me to a tiny refurbished 1970s trailer about the size of a postage stamp and ushered me inside. I found myself in the middle of a dozen people crammed around a table, on a bed, standing on the two square feet of copper and beige linoleum available for standing on. I was offered a chair -- which I declined -- as well as food and a spot at the game table. I declined the latter as well, but ate a couple bites of something, I don't remember what. A man with a red beard stood in the centre of the tiny trailer and said, "This here is Betsy," sweeping his outstretched hand around the air above all our heads, indicating the trailer itself. Everybody introduced everybody else and I somehow managed to more or less retain all the names coming at me.

I leaned against the counter -- there was nowhere else to be, and I didn't feel comfortable sitting and taking up so much space that way. I was coughing a lot due to my ongoing lung issues, and a curly-haired man with with a handsome beard and an orange hat put his hand on my shoulder at one point. "Don't die," he said. I gave him a very brief overview of my lung situation (this particular coughing spell became pneumonia by the end of the show's run).

Throughout the night I noticed the curly-haired man seemed to look at me a lot and I suspected he was flirting with me. But, unpracticed with men as I am, I didn't dare jump to any conclusions. He wasn't making me uncomfortable, so I stood where I was and observed his behaviour. I was suspicious enough of his intentions by the end of the night that I texted my best friend about it before I went to bed that night. She told me not to freak out, and I tried my best to take her advice.

The next day, we were rehearsing in a large tent due to weather, and the curly-haired man came up to me and flicked the brim of my sunhat.

"Hello," I said, too taken aback to think of anything more eloquent.

"Hello," he said with a smile.

Over lunch I texted my best friend about the incident and she said, "he's into you. Guys don't flick girls' hats if they're not interested in them." I began to freak out a little bit. I couldn't deny I was somewhat drawn to him, but after a previous bout of male attention I'd gotten during a show the previous year, I had made a rule that I don't date guys I'm currently in a show with. If they are still willing to pursue something after the show closes and we're not spending sixteen hours a week in rehearsal together, that's fine, but I was absolutely not interested in dating someone only for the duration of a show's run again. To be getting this kind of attention from a castmate again unnerved me.

As rehearsals progressed, I continued to find myself drawn to him, despite my repeated attempts to deny it even in my own head. Every move I made was soon calculated to be near him as much as possible without it looking like I was trying to be near him as much as possible. (Apparently I succeeded, as he didn't fully realise I was hanging around him deliberately until I told him this after we started dating.) I would watch the entrance to Betsy from the side mirror on my van, and if I saw him go in, I would wait a few minutes, then go in. I never went to Betsy unless I saw the curly-haired man go in first.

During one of these visits, he and I ended up sitting on the bed/couch, in the corner, talking. He told me his entire life story, plus the stories behind all his tattoos -- some three hours' worth of material. I was so fascinated that somebody else was willing to tell me their entire life story, the good and the bad, and drank in every word of it. It was a nice change from me having to bare my soul. I think it was during this conversation that we exchanged phone numbers.

At some point, we developed a pattern of him walking me to my van at the end of the night and giving me a good night hug. I'm not a touchy-feely person, but I was extremely touch-starved and always felt safe in his arms, with my head resting against his chest. I began to look forward to the nightly hugs and would replay them over and over in my head once I was in bed.

Eventually I added him on Facebook... along with about eight other people in the cast so it wasn't as obvious that I was just adding him.

Opening day dawned extremely rainy. Our campground was quite close to the river, and the rising levels were visible to the naked eye. We were told the show would go on that evening, so during the day the cast either hid out in their tents or gathered in the big central tent in the middle of the campground. Several of us spent the day playing card games -- mostly Racko, a game my dad and I have played for years. The curly-haired man sat beside me.

Near the end of the game session, when people were starting to make their early suppers before going to the amphitheatre, my text alert went off. It was the curly-haired man. 'You're awesome,' it said. I wasn't sure how to respond, but eventually settled on 'Thanks... so are you.'

He was called to the theatre earlier than I was to review the stunts. When I got to the theatre for warmup, he met me at the warmup location and we started chatting. He brought up his text to me, then said, "I almost used a different word."

"What do you mean?" I asked.

"'Like,'" he said. "The word 'like.' I like you. You're a cool girl."

I stared off into the horizon, not sure of how to respond. I don't actually remember how I responded. I remember thinking how I had to focus on the show and not the fact that a man I was not willing to admit I was drawn to had just said he liked me. I had never had that happen in my entire life. I'd had guys flirt with me and even take me to dinner, but none of them had ever been man enough to actually admit they were interested in me.

I managed to get through the performance without being too distracted, and after opening night, the production team held an ice-cream social for the cast. He and I sat next to each other and the topic quickly shifted to us, as friends.

"What do you want it to be?" I asked him.

"I'd like to get to know you more first," he said.

I nodded.

"If you're okay with that," he added.

"I'm just skittish," I said.

"Why?"

I told him my rule and the story behind it -- how someone from a show I was in led me on and then ghosted me, and how I later found out he was dating a friend of mine (from the same show) and was cheating on her with me.

"That's wrong," he said. "If you don't want to date till after the show, I'll wait."

I told him I appreciated that, and we continued our friendship. We began texting each other during the week -- constantly. Eventually I texted my dad, letting him know of the developing situation. He and my mother were planning on coming to the show the next weekend and I wanted to hear my dad's impression of my curly-haired friend. I did not, however, want anybody else to know in case it didn't work out, and I swore my dad to secrecy.

That Friday, I admitted to the curly-haired man that I liked him back. I still remember the look on his face. My parents saw the show Sunday and I managed to introduce him as a friend. It raised no suspicions from my mother, as I had so many theatre friends already so what was another one? But I had texted my dad his name, and when I said, as casually as possible, "This is Jacob," my dad caught the significance of the introduction immediately. I managed to draw my mother into a separate conversation as Dad and Jacob talked for a few minutes.

I should mention at this point that what I fell in love with was his tender heart and kind personality. I was actually not physically attracted at all at first -- which was the way I always wanted it to happen. I never wanted to fall in love with a guy's looks; I wanted to fall in love with his heart. I don't remember the exact moment I fell in love with his heart because it happened quite gradually, but I remember the moment I fell in love with his looks...

The dressing room for an outdoor amphitheatre is little more than a shack behind the set lined with wooden benches and covered with corrugated tin. There are no walls except the set wall itself. Jacob and I happened to have claimed spots on benches that were back to back. I could look across and just to the left and see him.

One night after the show, he went to put away his costume, and I hung around on my side of the bench, looking at my phone as I waited for him to come back. I heard him return, but didn't look up until he asked me a question. I looked up and his face was RIGHT THERE -- all hazel eyes and freckles -- and for the first time I felt my heart skip a beat at the sight of a man.

We continued talking through the rest of the show's three-week run -- joking about dating and even marriage, but with the understanding that we were not actually discussing dating until after the show. It didn't stop the speculation among our castmates though... Jacob would come hug me before each show and during each intermission in addition to our ever-lengthening good-night hugs. We began holding hands, less and less covertly. It was little surprise when people starting asking if we were dating, and it became harder to answer that question.

He discovered fairly early on that I was only just eating enough to stand upright, and he used his texting privileges to plead with me to eat (spoiler: he still does).

The night before the final weekend of the run, we got talking about it again. I asked what we were doing, and he said, "It's up to you. I've already told you how I feel and what I want. But I want us to decide together, not just me. I won't pressure you into dating. I'll just wait and not say anything about it until you're ready."

"No," I said. "Let's try it."

But we didn't use the words 'we are dating' until two days later. There had been a situation where our friend group had decided the night before to go out to the dollar store that morning. I had been part of this discussion and was, I thought, part of the invitation. I had no connections in my new home city yet so this was my final opportunity for human interaction. I had told them to wake me when they were ready to go.

That morning I woke at 11, found my curly-haired man, and told him I was ready to go.

"We already went," he said.

It gutted me. I was in a funk for the rest of the day. Another friend tried to cheer me up but I couldn't shake the feeling of betrayal. Finally, Jacob invited me to walk with him and we wandered around the campground. He apologised, explained the reason for the change of plans, and said he had tried to wake me but couldn't rouse me (this was entirely believable as I will probably sleep through the apocalypse). Then he asked my forgiveness. I gave it to him, and the conversation turned to other things, namely, our relationship status.

"What are we doing?" I asked. "Are we dating?"

"Do you want to?" he asked.

"Yes."

"Then we are dating," he said.

And that's how I started dating a curly-haired fellow actor in a show that I almost wasn't in. We are now engaged, set to be married within a year.

It's weird -- part of me never thought I would date anyone, let alone get married. I always thought I would be too much for anybody -- after all, literally everybody in my life up to this point has had that exact complaint... 'you're too much.' 'Nobody will ever love you.' 'You need to be more positive before anybody will want to have anything to do with you.'

How then does a man fall in love with me while I am actively starving myself because I had tried so hard to be positive and make myself fit their mould and I couldn't? Was everyone else lying? Is he sent from God? Both?

It is no exaggeration to say I am still alive today because of this curly-haired man. Recovery is still ongoing, but he is just as stubborn as I am. He wants me to live even more than I wanted to die (which was quite a lot). He is slowly convincing me that I want to live too. I am glad I met him and I am even more glad that we get to spend the rest of our lives together.

21 June 2019

The Useless Artist

It's been a difficult, discouraging week.

To start off, my beloved word processor Lila may be dead for good -- including some newly-written scenes for Kyrie that hadn't been backed up yet. She's been with me nine years, and I genuinely cannot imagine life without her (what? I'm single, it's not like I have a human to use that line with anyway). There was a scare in February, but she came back... she's a tough little thing, and I thought it was just a bump in the road. She alone was my companion in my teen years when I was isolated in the middle of nowhere, raising four kids, bullied at church, and trying desperately to stay on the nonexistent right side of an abusive parent without also compromising the safety of my siblings. She came with me to Saskatchewan and prevented boredom on many slow days at work. She was a key player in twelve novels and has been a huge part of the Kyrie revision so far. Without her, I don't know if that revision will ever get finished.

I'm living my dream now -- a west-facing window with both a skyline view and a mountain view, my tap floor in the basement for practicing whenever I want (within reason -- the walls are shared with neighbours), but yet, I'm trapped in the house because if I go out anywhere, I'll end up spending money. Money I don't have. Because literally nobody in Canada will hire me for even a basic, entry-level cashier job, let alone anything else I apply for (yesterday morning alone I literally applied for 36 jobs). All I have to live on for probably the rest of my life is a couple hundred dollars. I have zero income to replace what I'm spending on rent. (I'm not spending it on gas because I'm not going anywhere and I'm not spending it on food because I have no motivation to eat and also the money will last longer if I don't eat.)

I can't even make audition videos or even dance videos because I need a new memory card for my video camera. But I can't afford one. In today's online world, you literally CAN NOT get anywhere without the ability to record video and post it online. That's the only way people even have a chance to see what you have to offer.

So there it is. I'm in this beautiful city I can't explore, I can't write, I can't really do anything dance-wise, I'm locked out of a lot of auditions, and I can't even get up and go work a menial 9-to-5 because literally nobody thinks I'm employable... I, who have worked in literally three different fields and have a Bachelor's degree in yet a different field entirely.

Money can't buy happiness, but it can at least buy life... or at least a life worth the air I'm breathing. Right now I'm just taking up space and bringing nothing to anybody. I'm just sitting here quietly spiraling, and since I have no friends here, there's nobody to stop me. I feel unseen and unheard and of no consequence to anybody. For an artist -- for someone who has literally spent their entire life trying to create things that change people and make them feel -- this is the literal worst thing that could possibly happen. If nobody can see or hear me in any of my avenues of expertise (writing, dance, or theatre), that means I'm not having an impact.

And that means I'm useless.

19 August 2017

Summer of Artistic Maintenance

It's been quiet on here lately. It's not that I don't want to post, it's just that I'm exhausted -- I've been falling asleep around 11.30 every night (a far cry from the days of three and four am just a few months ago).

Things are happening though. I've been back to working full-time in Alberta (which is the reason for being exhausted), in an attempt to somehow pull the money together for college again this fall. My course load will be significantly smaller, hopefully allowing time for work (assuming anybody actually hires me this year -- they sure as heck didn't last year).

Despite work eating most of my days and bringing night to me early, I'm actually feeling like I'm making (some) creative headway. For the past two weeks, work has been taking us a forty-minute (one-way) drive away. Because I'm not the one driving, I've been bringing Lila (my portable word processor), and writing missing scenes from Kyrie during the commute. At night I transfer the scenes to my Scrivener document and make a list of two or three scenes to work on the next day.

I'm beginning to develop some of the characters more and I may have even managed to introduce a subplot or two. I'm still writing these scenes in a fairly NaNoWriMo-ish style (put your head down and type like the wind), but having a structure to fit these scenes in is actually helping a lot. It's like building a puzzle (only this one is actually kind of fun... I hate real jigsaw puzzles). One thing I'm really noticing is that there's more conflict in these scenes -- more actual tension. Usually my books severely lack conflict because my characters are all far too nice and everyone always tells the truth right away. Over the past school year I had done a lot of character development work, and I can definitely see the difference in the new scenes.

In addition, I've (more or less) managed to keep my five-day-a-week dance practice routine up. I made a playlist called Tap Shuffle (what can I say? I'm just that clever), made of songs that are good tap songs in terms of rhythm, and almost every day I've been putting on my headphones, setting the playlist to shuffle, and doing improv for five songs. This has multiple benefits:
1. Improves my stamina (you try tap dancing for five songs in a row without stopping),
2. Works my improv/transition skills (which are nil),
3. Ensures that I don't wimp out/get distracted before about twenty minutes (the rule is I can't pause the music),
4. It maintains my skills (if not growing them... see below).

I haven't been working on any tap choreography this summer, as I don't have enough space to really dream anything out, so this summer I've been focusing on cleaning my basic, Grade 1 technique. I realised recently that my shuffles -- the foundation of basically everything else in tap -- are crap, so I've basically devoted the summer to getting my shuffles decent. (They're still not.)

I also sort-of-accidentally started doing a stretching routine after practice sessions. For years I have been trying and failing to get splits. Despite being a dancer since age six, I have never in my life had splits down, ever, in any form. I'm also doing a lot of rises to keep my calf muscles in shape. I haven't done any actual pointe work since Beauty and the Beast ended in June, so I'm trying to make sure I don't lose too much muscle before I can really get back into the studio in September.

So there's an update on my creative life. I'm hoping I can be back in Saskatchewan for school again this year. The college was a real place of refuge for me last year, and due to everything I'm working through now from my past, it would be lovely to be there in that place of refuge again this year. My support network in Alberta has almost entirely disintegrated, so I might as well be in Saskatchewan where people still care about me anyway.

08 November 2012

NaNoWriMo, Day 8

I finished out my 3.30 am writing session at 24,771 words. When I woke up again later this morning I crunched the numbers and discovered that in order to finish this thing by 14 November -- which was my goal -- I have to end today with 28,500-some-odd words.

Crap.

So now I have write 4.5k, memorise a dance, get some choreography done, practice tap, study that Benesh book my dance teacher gave me so I can get it back to her (I'll have to explain that later), make dinner for nine people, and I really should shower already...

As for the story itself, it's, well, not. The thing pretty much consists of tap jargon and White Heart songs. There's also a little something about an old eighties rock band getting back together, but that doesn't write nearly as exciting as it sounds. I'm so desperate for more words that my character broke the fourth wall last night. (And it wasn't just a little crack either -- he pretty much drove a steamroller through it.)

But I'll say say this -- despite the fact that my fingers keep wanting to type Jekyll And Hyde (as in the Petra song), I will love White Heart forever for naming the song Dr Jekyll And Mr Christian. (I mean, I'll love White Heart forever anyway, but this is a thank-you-for-the-word-count-boost kind of love.)

So as I write this (3.17 pm, though I'll probably publish this when I get on the computer later tonight because I don't trust the Blogger app not to mess it up), I'm at approximately 26,000 words.

Two and a half thousand to go before midnight...


(11.00 pm)

I totally did it! I'm all caught up now.

I just put transferred my writing from Lila to the main document on my computer and the tally comes to 29,356 words. (I also managed to make dinner and shower too.) Now I'll probably send a couple of emails and then I really should start memorising that dance already... I've resigned the tap practice till tomorrow. Pretty much everyone else in the house is asleep already and wouldn't be too appreciative of tap dancing now anyway.

31 October 2012

NaNoWriMo Eve

Pre-NaNoWriMo checklist:

Some idea of plot?
Check.

Research?
Nope.

Names for most of supporting cast?
Nope.

Food?
Check.

Tea (kindly supplied by friend)?
It was here, but I can't seem to find it...

Writing buddies?
Check.

Work done on choreography that I planned on getting out of the way before NaNoWriMo starts?
...Not really.

Barely-suppressible heart-rate-elevating excitement?
Check.

Writing music (classicchristian247.com)?
Uncertain as of yet. (Thanks a lot, superstorm Sandy.)

Writing music (iTunes)?
Check.

Furnace running?
Check.

Second plot for when I finish the first one early?
Check.

Blankets?
Check.

Fresh batteries for Lila?
Check.

MacBook?
Check.

Annual final-hour-countdown freakout with writing buddy over Facebook?
Check.

(Well, all the important stuff is covered, anyway.)

And now, fellow writers, let us charge forth to the path of glorious exuberant creativity! For the rest of the month may our battle cry shall echo the words of what's-his-face from Mythbusters, "I reject your reality and substitute my own."

Bring on National Novel Writing Month!


EDIT: 9 November 2012
It wasn't even NaNoWriMo yet and already I was making NaNoisms? Are you KIDDING me?

30 October 2010

The Bitter End -- And The Ramifications Thereof

Part Three of a three-part series.

23 August 2010. 11.45 PM (or something to that effect).
I pulled my chair up to the computer, woke it up, and plugged in the flash drive containing my nearly complete novel.
I am practically giddy. I have already passed the 45 000 word mark, that being the goal for the 28th day. If my pacing keeps up I will easily finish by the 25th. My previous record is 29 days.
I am so excited I can hardly sit still.
I navigate to the folder containing my precious novel, double-click the file, and wait for Microcrap Word to spring to life.
After several (uncharacteristic) minutes of waiting, a dialog box appears, saying that Word is updating. This puzzles me, as this computer hasn't been on anything resembling an Internet connection for nearly a month. Where is it getting this 'update' from?
I hit 'Cancel,' assuming that will circumvent the 'updating' process and start Word so I can work on my novel.
'The updating process has failed.' Hmm, I wonder why...
I click 'Close' -- the only button available -- and wait for Word to open.
It doesn't.
So I go to the Start menu and attempt to open Word from there.
The dialog box reappears, and again I hit 'Cancel' and give it a few minutes to open Word.
You know what happens next -- absolutely nothing.
However, the computer is evidently doing some strenuous task -- I can hear the hard drive churning and gurgling, but the only program currently running is iTunes. It is by now at least 12 AM.
Once again I attempt to open Word. This time when the dialog appears I leave it and allow it to do its 'updating.'
After nearly fifteen minutes the progress bar disappears and another dialog box takes its place.
'The updating process has failed.'
I wait for Word to open, but it does not.
Rather disappointed, I abandon the novel for the present and open Notepad -- my writing warm-up tool of choice.
It takes a full five minutes for the most streamlined program on the computer -- perhaps in existence -- to load. This brings me to a conclusion.
This is ridiculous.
And that means a reboot is almost certainly in order.
I close Notepad (a process which takes another two minutes) and iTunes (three minutes). Then I select 'Restart' and sit back.
Because I have the attention span of a goldfish, I pick up a piece of paper or something (I don't even remember what) and read it while I wait for the computer to finish the reboot.
After a while I realise that it appears to be taking a rather long time for the blue login screen to appear. I look up.
The monitor is displaying an odd screen of text that I've never seen before. However, I don't get to read any of it before it disappears and the POST takes its place.
Strange...
The POST text finishes and the Windows XP splash screen comes up for an instant before the screen goes black and white text appears.
My heart sinks before I even begin to read.
'We apologise for the inconvenience, but Windows did not start successfully.'
It goes on to give a thoroughly uninformative 'possible explanation' for said failure and then lists several options -- start Windows normally, in Safe Mode, in Safe Mode with command prompt, Safe Mode with networking, and Last Known Good Configuration. A countdown clock is at the bottom of the screen -- 'Windows will start in 20 seconds.'
Odd. However, my previous computer would frequently go into a similar sort of boot loop, often fixed by a simple tug of the power cord for a minute or so. So I unplug the computer, wait thirty seconds or so, and plug it back in.
The POST runs, then the error screen appears again.
At this point I begin to panic.
I select Last Known Good Configuration. The Windows splash screen appears for a split second before reverting again to the POST, which then gives way to the error message.
This time I select Safe Mode. Same result.
I yank the flash drive out of the USB port, hoping it hasn't somehow been reformatted, unplug the computer again, and sit back. Tears pool in my eyes.
Then, after a few seconds, I reach into my book bag.
Lila, my faithful little Neo 2, had at that point been with me for a year and a half, the equivalent of one and a half novels, one script, and copious amounts of plot hashing and note taking. Never once has she failed me, even with the amount of salt water that's dripped into her keyboard.
I pull her out of the book bag and hug her.
It's just her and me now. Us against the world of Windows.

And that, dear reader, is why I have no money for writing music this November. MacBooks don't come cheap, and due to my utter lack of a computer that will at least start up, I need one as soon as possible. I was saving for one before, but not with the ruthless intensity that is now required.
I only hope that my lack of decent music and the inability to write during my best hours won't put me in a madhouse next month...