Showing posts with label abandoned. Show all posts
Showing posts with label abandoned. Show all posts

31 July 2026

Negatively Positive

Not long ago, I was filling in a new-ish friend on some of my trauma lore -- 2015, the miscarriages, and the early years of my marriage.
 
That last bit is something I have not really spoken to anybody about. I had already learned that honesty was an offence punishable by public dismemberment and being buried alive, plus I couldn't reconcile being honest about the pain while simultaneously loving my husband. I shut down. I spent probably four years in an eternal present. I had no past and no future. No thoughts besides how to prevent the next blowup or smooth over the current one.
 
Early on, I had been messaging my friends about my confusion at his sudden change in attitude. How the calm, generous listener had overnight started screaming insults over basic use of the English language. Their response was unanimous: Leave him.
 
The thought was very tempting, I won't lie. But I had seen who he had been before, and I was unwilling to believe that kind act had been only an act. This isn't who he is. He wasn't always like that. It has to be just stress or something.
 
When I tried to explain this, with my rapidly-decreasing ability to think (let alone write) in comprehensible English, they escalated. I will not watch you self-destruct. If you don't leave him, I will not be a part of your life.
 
How do you respond to an ultimatum like that?
 
I had been friends with some of these people for over a decade. I had helped most of them through life-threatening crises of their own. I had offered so much time and energy to them freely, even in times when my own life was crumbling. Now I was in crisis, and they could not remember the times I had moved heaven and earth to help them through worse.
 
I don't have the mental capacity for your problems as well as my own, they told me, one by one. I can't handle your negativity. Don't bring me into your problems anymore.
 
But it won't always be like this. It'll get better... right? Marriage is hard and we're both learning and it'll get better, it just sucks right now.
 
I was speaking to an empty room by the end, with only my own voice for company.
 
It has to get better. This isn't who he really isI made him a promise. I made a vow before God.
I promised. 
 
I hung onto that thought with all my strength. But my fingers were slipping. 
 
Five years earlier, when my world had crumbled around me, when the Angel of Death took a combine harvester to every part of my life, the friends who didn't die in the devastation turned on me: you're too negative. You always see the worst in everything.
 
Now, as my loving husband turned into a monster before my eyes, as I clung to the insane hope that this was only a season and not an eternal condemnation... my friends still left me. I chose to look for a sunrise while buried alive, and that still wasn't good enough.
 
When everybody died, I was too negative, too sad. When my husband turned out to be a real-life Jekyll and Hyde, I was too positive, too hopeful.
 
Make it make sense.
 
Like if you hate my guts and are just looking for an excuse to cut me out of your life -- this is a Pro-Tip, by the way, take notes -- just say you hate my guts. Just be honest. Don't do this 'you're too X' song and dance. It's like trying to kill a grizzly bear with a spoon -- it takes way longer than necessary, and everyone involved feels way more pain than they needed to.

What's more, I am sorely tempted to message every single one of those people who couldn't find a scrap of compassion in their hearts -- hearts that in some cases were still beating because of me -- and tell them you know what? I was f--king right.
 
We are coming up on another wedding anniversary. If anything, we are happier now than we were even in those early days of dating. And if I had followed their advice and left him, he would be dead and honestly I might be too.
 
 
P.S. -- Do you want to know what the problem was? Why my husband went from sweet, romantic, caring, and generous to angry, manipulative, vicious, and did I mention angry?
An allergy.
A food allergy to a very common seasoning.
By the time I convinced him to go to the doctor about it, it had mutated into five other major chronic health conditions which we are still trying get treatment for, to say nothing of the ongoing emotional fallout for both of us individually and in our marriage. Our marriage still exists only because I'm a stubborn German who is still too bitter about my uncle leaving my aunt (for literally zero reason) to give up on my own marriage for any reason at all.

28 June 2025

The Unborn Baby That Changed History

Content warning: death, child loss, abandonment, family trauma, mention of abuse
 
I have long wondered why I can be so angry, bitter, and distant. After 2015, that makes sense, but why was I already walking with an emotional limp before that phone call saying my uncle had cancer?
 
The other day, while cleaning the kitchen, I got thinking about my first experience with loss -- so long ago and at such a young age that until this week I had not categorized it as such.
 
In 2000, not long after the birth of my brother, my parents announced they were having another baby. I was delighted. I loved my baby brother, and I wanted very badly to have a baby sister as well.
 
In the fall of 2000, my mother went for a routine doctor's appointment. The doctor could not hear the baby's heartbeat, so she was sent -- with some urgency -- to the local hospital for an ultrasound. In that in-between time, I was told the truth -- that they could not hear a heartbeat -- but I was also told it was possible that something was blocking the stethoscope, hence the ultrasound. This was explained so calmly and in such a matter-of-fact way that while I do remember praying that the baby was okay, I was mostly convinced that everything would be fine -- the ultrasound would find the baby safe and sound.

Someone took me to dance class, I don't remember if my mother snuck me over between appointments, or if my dad or grandma took me.
 
An hour later, I left dance class and headed to the parking lot. Dad was waiting for me -- Dad never picked me up from dance. Even though I thought it was perfectly logical that Mom was still in her appointment, I knew somewhere in my soul that the baby was not okay.
 
I don't remember when or how it was explained to me -- probably on the car ride. But there was no sugarcoating (even as a child, I hated it when people danced around an issue, and my parents largely respected that). The baby, at 17 weeks, was dead. When I asked if the baby was going to stay in my mother's 'tummy,' Dad explained she would have the baby like normal (I was familiar with the concept from my brother's birth), only it wouldn't be alive when it came out. He also told me that would probably happen that night or the next morning, not in the springtime like it was supposed to.
 
I saw my mother only for a few seconds when we got home. She looked terrible (she usually did when she was pregnant -- she never had a single easy pregnancy, and it was only another year or so before I started to wonder why she kept putting herself through all that awfulness). She retreated quickly back to my parents' bedroom, and Dad put us kids to bed.
 
I don't remember much of the next morning. Dad told us (or at least me) that the baby had been delivered the night before. I don't remember if Mom was there at all.
 
I do remember over the following weeks how Dad would occasionally check in with me about it, to see how I was feeling about it. While I was old enough to understand death and emotionally connected enough to know I was sad, I didn't have the vocabulary or emotional awareness to go much deeper than that. He shared with me that he was sad and upset too. He also told us how his mother had also lost a pregnancy when he was young. He invited my grandparents over for coffee one night to talk about it. My grandmother shared that she had actually lost two -- news that surprised even my dad. She told the stories of both losses. Knowing her, she probably offered a lot of comfort and cried with my parents, but I don't actually remember that.
 
A few months later, my parents announced that they were expecting again. The doctors kept a much closer eye on her this time, but things progressed well.

At her 16 week checkup, the baby had a strong heartbeat and was moving well. At 17 weeks, my mother went to her doctor's appointment. The details in my memory aren't nearly as clear. But I remember her saying she hadn't felt the baby move in a couple of days, and then somehow I heard that this baby, too, had died.
 
In retrospect, this was the one that altered my mother forever.
 
I didn't realise that till this week, in 2025. I had wondered for years what had happened to the fun, kind, gentle woman who raised my sister and me, who took us to the library and baked cookies with us and showed us which blades of grass made the best whistles, why suddenly she was replaced by this screaming ball of rage with an absolutely hair-trigger temper. I'm shocked I didn't make this connection before.
 
The next few months were a whirlwind of specialists appointments as the doctors tried to figure out how my mother lost two pregnancies at 17 weeks within six months of each other after having three perfectly healthy children -- the youngest of whom was barely a year old. We, the living children, spent more time at my grandparents' and my aunt's house than we did at home, and as the oldest, I was in charge of my two younger siblings. My parents became strangers to me. After the first loss, my parents had held space for our emotions even while they were openly processing their own. After the second one, they disappeared. I lost them too when that second baby died.
 
By the time my mother's violent morning sickness started again, she was broken and terrified. She tried to hide it, but there was no hiding her symptoms. At eight years old, I was already a veteran of spotting morning sickness. I called her out, and she swore me to secrecy until she was past the 17-week mark. I kept that secret, and it worked... that baby is my little sister, and she is entering her third year of college.
 
It was around this time, I realise now, that the rage set in. She had always been opinionated and a bit fiery (I had to get it from somewhere), but after my rainbow-baby sister was born, my mother would scream bloody murder at anything that moved. In a house of four children under ten, there were a lot of things that moved. I remember writing in my diary many, many times how she would scream at us if we breathed too loudly. I spent the remainder of my childhood trying to figure out the triggers that would set off her screaming rages, but never succeeded in cataloguing them all. Seven months after my sister was born, I developed depression.
 
It's obvious now that that depression came as a direct result of the loss, abandonment, and verbal abuse from those three years. I still suffer with depression today. It has impacted my education, my friendships, my decision-making, my career (both of the ones that I straddle independently), my faith, my hobbies, and my marriage. If the depression doesn't kill me directly in the end, it will still be etched on my heart when it stops.
 
My mother's rages continued until I left for college at age twenty. My youngest sibling at that time was three years old. That was the longest my mother had ever not been pregnant since before she was pregnant with my brother, the one before the miscarriages. My entire teen years had been a cycle of violent morning sickness; long, dramatic, difficult deliveries, and white-hot rage -- all of it hers. I raised all the post-miscarriage siblings because my mother was either too sick or too angry to do it herself and I couldn't bring myself to let those helpless babies suffer for something that wasn't their fault. I'm still not convinced it's a coincidence that the baby factory stopped when I left home.
 
Thinking back on all of this, it's not as much of a surprise why I all but stopped being human after my cousin died. Something in my soul remembered the deaths of those young babies all those years before and remembered how I was left alone, overburdened, and screamed at for every. single. misstep for a full decade in the wake of those losses, and it knew I could not go through that again.
 
This fall is will be 25 years since that first baby died and my life was irrevocably changed for the worse. I don't know what I can do at this point. Knowing why my mother's behaviour shifted so suddenly is helpful, but it doesn't take away the pain of having to choose which of my siblings to shield with my own body and which ones to leave exposed to my mother's rage -- whose cries I had to listen to helplessly as I was only so big and couldn't protect them all at the same time. It doesn't change the fact that my sister and I have basically no relationship because I prioritised the younger, weaker siblings over her and had to harden my heart against her pain because I couldn't handle being helpless in the face of it. It doesn't change how I've spent decades feeling like I wasn't wanted and that my parents were desperate to replace me with the next new baby rather than be content with the ones they already had. It doesn't change the fact that I dissolve into wild, uncontrollable, suffocating sobs the second anybody raises their voice at me or speaks with the very slightest of harsh tones because all my hear is my mother screaming at us that we're all failures and how she didn't want us.
 
It's nice to have a starting point, I guess, but I still don't know where to go from here. 

16 January 2023

Nachmo, Day 16 - More Fear

So, uh... the fear didn't go away after one week. In fact, we are minutes away from closing out Week Two and I'm still just as afraid -- if not more so -- than I was before.

The fear has shifted, though. I am no longer afraid that I will not be able to finish choreographing. I am now afraid that I won't be able to learn the choreography.

On one hand, this is silly. I used to be in (read: memorise) three shows simultaneously. As soon as one would end, I'd roll in another. I have memorised entire pieces in a single afternoon multiple times. My entire Instagram page used to be basically me performing stuff I'd only memorised ten minutes earlier. There's no reason for me not to be able to do this.

But on the other hand, it's been nearly three years since I was in the middle of three simultaneous shows. I have been diagnosed with ADHD since then. I went through one of the worst periods of my personal life and am missing literally two years of memories from that time -- and because I'm only just coming out of it, a lot of conversations I have now still include the other person saying, 'don't you remember...?' Which, of course, I don't. Hearing, 'don't you remember?' multiple times every day does not exactly instill confidence in one's abilities to remember any new information.

This is silly, I tell myself. This is film. You can cut and piece together as much as you need to.

But, whispers the fear, you having to re-memorise everything right before you shoot it will waste time -- and dollars -- on set. You need to get in, shoot everything in one, maybe two takes, and get out. Your sound, light, and camera people are not going to sit around forever for free while you dilly dally about memorising stuff that you should have had memorised weeks before.

And I don't have an answer for that.

This is exactly where I'm stuck with my other dance film. Choreographing the thing is zero problem. Actually filming it with any amount of confidence is a much different story.

Your stupid sparse sound design is going to strangle you, the fear says. You're taking away the one thing that could possibly help you.

Fear doesn't like to hear that if there's little to no music, nobody will notice if I missed a phrase anyway because the music won't betray me.

But you'll know, it says. You'll know.

I'm just so tired.

I'm tired of having to fight through this voice every single minute of every single day. Memory loss is hell. I can see why depression is so high among dementia and Alzheimer's patients: memory loss -- and how people treat you when you have it -- strips away every single ounce of confidence you might have ever possessed. When you tell people you forgot, they take it personally -- 'if you really cared, you would have remembered.' And once they get that thought in their heads, there is literally nothing in the world that will ever convince them that you really did care about the thing you were supposed to remember. And then they decide that you just don't care about anything, including them, and they abandon you. There are no 'correct' words for the memory-loss patient to say that will make the other person understand that it wasn't intentional. Those words simply don't exist. So we get cut off by our friends and family, one by one. By the time the memory loss is stopped or slowed, it's too late: everybody's already gone, and they're not coming back.

And as I know all too well, the fear of abandonment is crushing.

23 April 2022

Pain And Choice

8 April 2022, 6.47pm.

I've lived my entire life being cut off by friends and relatives who tell me I'm 'too negative.'

Let's make a list of the things that make me 'negative,' shall we?
- 15ish years of childhood emotional abuse and manipulation by somebody in my household.
- 2004: only childhood friend moved two countries away and did not keep in touch.
- 5ish years of bullying and emotional abuse in junior/high school -- from Christians.
- 2009: first suicide attempt.
- 2014: aunt and uncle ugly-divorce.
- 2015: second aunt and uncle ugly-divorce.
- 2015: best friend dies. Found out through Facebook five days later. Unable to go to funeral due to distance and short notice.
- 2015: nine-year-old cousin dies.
- 2015: entire extended family implodes over some stupid financial dispute and aunt and uncle's divorce.
- 2016: grandfather dies. I was the only grandchild who didn't get to say goodbye.
- 2016: church gaslights and backstabs me.
- 2016: entire church leadership board tells me God can't love me because I'm 'too negative' and because I'm an artist.
- 2016: college best friend ghosts me. When asked, said I'm 'too personal' (whatever that even means).
- 2016: strung along and then ghosted by a guy I really liked.
- 2017: all my friends stop talking to me. Literally every single one of them.
- 2017: second suicide attempt.
- 2017: very good friend attempts suicide and is hospitalised for some time. All while I get told I'm being 'too needy' and 'too negative' when I share my struggle with similar things.
- 2018: strung along and dumped by a man.
- 2018: best dance friend dies suddenly.
- 2015-2019: bullied by EVERYONE at college for being 'too negative' over all these deaths (current tally: four in two years, plus extended family dissolving and church abuse concurrently).
- 2018: college program director who I admired and respected told me I wasn't trying hard enough despite knowing I was practicing 10 hours every DAY (60 unpaid hours training, tuition, and experience PER WEEK. For five years).
- 2019: eating disorder develops, third suicide attempt.
- 2018-19: voice teacher verbally abusing and gaslighting me because I improve so slowly.
- 2015-2020: unsuccessful job hunt. Applied to literally THOUSANDS of jobs across three provinces. Landed maybe three interviews and zero jobs.
- 2019: moved to a new city, landed a part-time job, was sexually harassed and stalked by my supervisor.
- 2020: two good friends die literally within 24 hours of each other.
- 2020: finally landed a job I loved. Lasted 30 days. Then Pandemic shut it down.
- 2020: in-laws refused to let me plan my own wedding; even resorting to screaming matches when I tried to insist on anything that I, the literal bride, wanted. Also they publicly dragged my father's name through the mud in an attempt to get their way (my father is probably the most honourable human being to walk the earth, next to Jesus).
- 2020: fourth suicide attempt.
- 2021: finally got into therapy, therapist told me I wasn't trying hard enough and that I was too stubborn and too sad.
- 2022: three good friends ghosted me. The only one to respond to my request for clarification said I was 'too much' for her.
- Present day: constantly screamed at by customers, gaslighted and lectured by my in-laws for existing, and told by people who are supposed to love me how stupid I am. Am saddled by unexpected debt in the thousands, rising cost of rent, and gas prices so high that I literally cannot afford to drive to my job, let alone visit my family several hours' drive away. I am not making enough at my full-time job to pay the bills and the debt.

I didn't choose any of this. Not one single thing on this list was something I chose or even had any say in.

You know where all of this pain went?

Nowhere.

It's all still there inside me. It does not shrink. It does not dissolve. It does not go away. Nearly thirty years of intolerable pain still teems in my soul, just below the surface. There are only distractions, never relief. And even distractions wear thin.

We are told to reach out when we are going through tough times. So that's what I did. But it turned out -- every single time -- that the amount and intensity of pain I was carrying exceeded the willingness of the people around me to help me.

Oh, they try to frame it as a them problem while subtly blaming me... 'you're too negative' is the honest version that some have been ballsy enough to actually say, but more often the phrase is more like 'I'm just in a fragile place right now and need to cut down on sources of stress in my life' or sometimes they just ghost me.

99% percent of these people -- ninety-nine percent -- had told me WITHIN THE PREVIOUS TWELVE MONTHS that it was okay not to be okay and that they would be there for me. And without fail, every single one of them has either outright abandoned me or severely distanced themselves from me.

Do you really think that this insane amount of pain is a choice? If you can't bear even the smallest amount of pain that I show you, how on earth do you expect me to bear the full weight of it by myself? Do you think I'm superhuman? News flash -- I'm not. Why do you think I reach out so relentlessly? Why do you think I put so much of it on others? Because I can't carry this anymore.

When this pain finally, mercifully kills me, know this -- not a single one of you do-gooders 'did the best you could.' You didn't do a damn thing. You left me to shoulder all this pain alone. You knew the pain I was in, and you left me alone to be crushed to death under the weight of it.

I did not choose any of this. And you lot only added to the burden.

06 March 2022

Fade

Originally written 13 February 2022, 12.31pm.

As I near the tenth anniversary of my first completed piece of choreography, I've finally overcome my mental block (college trauma?) enough to choreograph a large group again.

I took a couple of choreography courses last year that, while helpful, kind of freaked me out as I saw only too clearly how big the gap was between the ideal and my actual output. I let those simmer and continued doing solos. I hate choreographing solos and I always have, but in college, when I was trying so desperately to prove myself to literally every director and teacher in the province because none of them could be bothered to see the potential in me, I resorted to solos because they were quick to create, easy to learn, and easy to film. I put out an astonishing amount of solo dance videos because I felt this invisible whip on my back to prove myself, to show that I was, in fact, dedicated and a hard worker (things that I was consistently told throughout college that I was not). Posting myself dancing new choreography every 2-3 days with the difficulty level increasing exponentially each time seemed to be the only way to show anybody that I was actually trying (those words still threaten to take me to a very dark place even as I type them). I got good at choreographing solos as a result, but I missed the complexity, attention to detail, and the sheer elation that goes into choreographing a big group number.

I've since been banned from social media by my in-laws because I'm not happy enough (and yes, I told them about the 'unfollow' button. They figured banning me, a grown adult, from expressing herself was easier and made more sense), so in many ways, I've reverted back to that seventeen-year-old notating reams of pages by hand alone in her bedroom where nobody ever saw some of the brilliant things she came up with because they could not possibly have cared less and she knew it. This has given me time to focus in on unattainably big groups again. After all, if nobody's going to see it, why not lean into the impossibility?

This is actually bringing some level of comfort. At the time that I was choreographing big groups, before college, I had a whole list of songs I loved that I wanted to choreograph to that I simply never got around to. And now I'm revisiting that list.

Frequent readers of this blog (are there even any left or are they all dead?) know that the bigger the song, the more I like it. I love songs filled up with harmonies and '80s keyboards and big drums and deep, big feelings. Songs with one solo (usually mediocre) singer and an acoustic guitar about one's boyfriend are so small and boring. I like songs that take up space, sonically and emotionally. These songs are also usually suited to choreography that also is big and takes up space -- like big group numbers. Many of my very favourite songs in the world either are group numbers I've already choreographed or they've been languishing in the 'big numbers' queue for a very long time.

And currently I'm working on one that in my mind, ranks right up there with Daniel Amos' Sanctuary as 1. one of the best songs of all time, full stop, and 2. one of the first songs I ever wanted to choreograph to.

I've come back to this one off and on over the years, threw out some ideas, dreamscraped, scribbled bits of notation on envelopes and receipts, couldn't find the theme, threw it out, and repeated the whole process several times. Last year it started to really arrest my attention, but I still couldn't find the vibe of the choreography. I knew it was jazz dance, but I couldn't see anything beyond that.

Then one day while biking, I realised that this was going to be an arm-led piece.

I hate arms. They've always been my weak spot as a dancer, and that shows in my choreography. Many times I leave the upper staves of my notation blank or just fill in standard classwork arms because I hate choreographing them so much and spend as little time as possible thinking about them. My choreography is typically very footwork-heavy because my brain just doesn't think in arms. But this time, that was the exact realisation that snapped the piece into focus. I choreographed a four-minute twelve-dancer piece in a week and a half because I focused on the arms rather than the legs.

This is the first large-group piece since Nachmo 2020, and before that the last one was 2016. The 2020 one was tap, which is a very different animal since it's less about formations and lines and more about rhythm and musicality. 2016 was the last soft-shoe large-group dance I've written. That's almost six years ago now. I don't remember much of the 2020 one because my college-trauma-induced memory loss wiped out that period of my life, but the 2016 one is a four and a half minute piece for sixteen people and I choreographed it start-to-finish in eight hours. And I loved every single second of it. There's a level of satisfaction that comes with creating a large group piece that simply does not exist in choreographing solos or duets.

This project brought me so much joy. I was actually sad when I finished it. Of course there was that rush of accomplishment, but I miss the joy of figuring it out. Maybe it's because I know I'm not likely to ever see it performed in real life, so my time with that piece is essentially done for the rest of my life.

At least I can still listen to the song and see it all in my head.

09 June 2019

Living Deaths

The problem with being single and living a fairly transient lifestyle (like, say, freelance performing) is that people don't stay your friends after you've left their city. There's no loyalty anymore. I have lost DOZENS of very close friends because they couldn't even be bothered to try the long-distance friendship thing. It's not that it's 'too difficult' -- some of them literally do not even try. I'm constantly texting and emailing and writing to them (with some I even consider calling), trying to keep the lines of communication open, trying to keep updated with their lives, but no replies... no acknowledgement of receipt... nothing.

Eventually I just stop trying. You can only scream into the silence for so long before you finally get it through your thick skull that you're invisible and nobody will ever answer and so you stop trying because there's no point anyway. After all, you don't want to annoy them either -- assuming they're even seeing your texts.

It's so ridiculous. In this age of smartphones, texting, Facebook, Messenger, email... nobody can be bothered to stay in touch because (verbatim) 'I just don't talk to even my very close friends if they're far away.'

Yes, it takes a little intentionality. Yes, you have to sit down and type an entire 'hey, miss you, how are you doing?' into your phone (back in the olden days we had to actually HANDWRITE letters on actual paper and put it in an envelope which we then licked closed and put an address and stamp on it AND THEN had to take it all the way out to the mailbox or -- horrors! -- the post office three blocks away... but yeah, tell me again how typing two sentences on your phone is just too much effort for a person you claim to care about).

I know you all have jobs and 'are busy' -- but if you're too busy to at least fire off a ten-second two-sentence text three or four times a month, maybe it's time to re-evaluate your schedule. I have a married friend with a full-time job who volunteers a LOT at her church as well as teaching art and taking dance classes on the side and she still has the time to text me at least once a week asking how I'm doing. If she can do it -- I daresay a lot of you can.

This means that every single time I move to a new city, I have to start from square one. None of my friends from my last place of residence carry across. I have to start completely over. It's sad, it's annoying, it's upsetting. And what's more, when I do go back to visit, the reception from my 'friends' is inevitably cool, because 'life moves on and people grow apart.' I'm sorry? We grew apart because YOU DIDN'T EVEN TRY.

I've already grieved enough deaths in my short life. Please don't make me grieve the relational deaths of my still-living friends too.

16 January 2019

Day 16 - National Choreography Month

In my psychology class this morning, we were discussing attachment theory. Me being me, I immediately starting making connections between the categories and the people I know in real life -- especially those who have been in positions of authority over me. One of the words the prof used to describe parents of the ambivalent children in Ainsworth's 1978 study was 'unpredictable.'

It was like lightning. That was the word to describe my relationship with almost everybody in my life -- my mom, certain professors, several people I tentatively call 'friends.' It even describes myself to a point. I've spent my whole life thinking -- hoping -- I could trust this person, or this person, or maybe that person, only to have them suddenly turn cold and drop me... then when I confront them about it, they deny it. Yes, this is emotional abuse, but it's also unpredictable. For some reason I needed that word. That is what makes it hell -- the fact that you just never know what they're going to do in any given situation. Will they extend grace? Or will they explode and give up on you?

The whole concept of my relationship with these authority figures throughout my life continued percolating in my brain after class.
We'll pause this thought and come back to it.

Secondary train of thought -- yesterday I was talking with someone and I was trying to describe perfectionism -- how I've internalised the voices of all the people who said I wasn't good enough and would never be and now I tell myself that, I beat myself up for every tiny mistake because so has everyone else. Maybe not consistently -- there's that 'unpredictable' thing again -- but often enough that I am terrified of screwing up because there's a strong possibility that I will not receive a grace response -- instead I'll be screamed at, or worse, tossed aside forever. I've often said perfectionism is like a whip across my back, lashing me every time I try to rest rather than practice, and the whip comes down with renewed fury whenever I screw something up.

Today, as I was pondering my relationship with these authority figures and my perfectionism, the question formed: who's holding the whip?

My initial thought was to draw what I was picturing, but of course I'm rubbish at drawing. But the whip motif -- the whip in the hands of these specific people -- suddenly came to life in my mind and it became a percussion section. And then came the song -- Rose's When Will I Be Loved.

The thing percolated in my mind through my piano and voice lessons, and afterwards I sat and listened to the song and sketched out a general story.

I love it when this happens -- when there's an actual story to the song. Not just a theme, a story -- the passage of characters through choices and consequences. I've only managed it in two other pieces.

This one is dark -- so dark it surprises even me (and I can be a pretty dark person). I had a moment where I thought maybe I should cushion this a bit, but I don't think I will. This is reality for a lot of us, and if you (the viewer) can't handle that, too bad. This dance is a depiction of what it's like to live with the voices of everyone who should have been a stable figure in your life but is not stable inside your head and it touches on the loneliness of having to figure out life completely on your own because nobody's ever truly properly there for you, not consistently. This is what it's like to constantly hear this voice in your head saying you're not good enough and you never will be. It's exhausting to try to keep even a half-step ahead of that voice, that whip. It's exhausting to be beat down by your own mind every single second of your existence. It's deeply, gut-wrenchingly disheartening to have nobody consistent to turn to -- no rock to go to when you're struggling. It's so freaking hard to keep going -- completely alone -- into the storm of voices screaming that you might as well stop trying because you'll never be good enough anyway.

If I'm honest, this is for M. I think the whip came down on her back harder than it does even on mine. It killed her -- this relentless push for perfection at any cost. Who planted the initial seed of that voice in her mind, that broken record telling her she wasn't good enough -- that despite all those hours of relentless practice and effort and time, she wasn't good enough? There's no telling. Even in my life, it's entirely possible that I assumed somebody wanted more of me than they actually did and I just internalised that imagined standard and fed all my subsequent life experiences into it.

I'm excited for this piece, in a weird way. It'll be raw, but hopefully it'll get the viewer's attention. Hopefully it does justice to the dark side of what we perfectionists experience.

14 January 2019

Tell Me You Know

The following was written 13 October 2018, three weeks after M's death. I was talking about this with someone not long ago and decided that yes, I am going to post this -- I believe it needs to be said.
This is the original, unedited post from that time.

If you know someone is grieving, please say something. Please acknowledge their existence. Even if you just say, 'I heard what happened. I'm so sorry.' Just tell me you know.

Three full weeks after my good friend's sudden death, I'm only just finding out now that all my professors and teachers found out the same day I did. They didn't know her at all -- the one person I told first told all of them. I don't mind all of them knowing... but I wish they would have said something to me. For three weeks I've been carrying this and while yes, I do have close friends who are checking in on me, it would still be helpful to know all the rest of you know and are in my corner. At least say 'I'm sorry...'

I don't know why this bothers me so much. I feel like they just let me struggle alone. I feel like they all said, 'ah, she'll be fine.' And maybe I will be -- but not in a void, and not at the moment. Don't ignore me now -- being ignored is exactly what leads to suicide in the first place. If you want to prevent other suicide deaths in the memory of this fantastically bright person you never knew, then make sure nobody slips through the cracks. Make sure nobody else feels abandoned, or ignored, or stigmatised.

Yes, I have been putting on a brave face. But that's exactly what I've been doing -- 'putting on' a brave face. It's not real, and it's exhausting -- trying to keep up this facade so you don't abandon me just because I'm grieving something beyond my control.



The following was a Facebook post I drafted that same week and never published. In retrospect, I wish I had. It won't have the same effect now because of the time that's passed between her death and the present day, but maybe it'll be helpful to you all in the future as your other friends lose people in tragic ways.

Can I rant for a second?

Let me be clear: I'm not looking for sympathy. I'm about to write the kind of post that ends up with a million people commenting stuff like 'wow thanks for sharing' because they feel obligated in some way to acknowledge it rather than because they actually feel anything. I'm telling you -- don't comment unless you actually mean it. I can tell from a mile away if you don't and it just makes everything awkward for both of us. I would prefer that you not comment at all rather than say something insincere or off-topic. I'm not looking for sympathy. I just want to say this.

(Also, trigger warning.)

So -- most of you apparently know by now that two weeks ago I lost a very good friend to suicide. This is the fourth person close to me that I've lost in three years and from past experience I knew that if I said one word about it, people were going to start coming out of the woodwork telling me how I'm not trying hard enough to get over it and how I was being 'too negative.' So for the past two weeks I have deliberately put on a brave face. I have said nothing. I have asked for nothing. I have continued to live my life as if everything was fine even though there's a MASSIVE hole in my heart. Believe me, I wanted to say something. I wanted to at least give people a heads-up to the pain I'm in, to explain why I might seem a little 'off.' But I knew people would think I was just milking for sympathy and they would resent me and treat me even worse so I kept my mouth shut.

And now I'm beginning to find out that literally EVERYONE around me found out the same day I did. I know it's a small town and rumours spread, and I honestly don't mind that people know -- but the thing is NOBODY, not one of these people, reached out to me to see how I was doing. Most of these people know I have a history of similar struggles. I would assume most of these people are aware that copycat suicide is a thing and be at least slightly concerned for my safety. But nobody checked in. Nobody even said, 'hey, I heard; I'm so sorry.' Even that would have made me feel supported. But now I just feel ignored and abandoned. You knew I was suffering and you turned a blind eye. And I think that almost hurts more than the knowledge that my immensely creative, fun-loving, talented, vivacious friend ended her own life.

You know who commits suicide? Those who feel alone and abandoned.

You know how I feel right now? Alone and abandoned.

Just SAY something. It doesn't have to be much. It doesn't have to be perfect. Just let me know you see me.

30 May 2018

New Dance Video!

After nearly two full years of work (planning, practicing, shooting, editing), I have finished another tap video, much in the vein of Shades Of Green & Red this past Christmas.

While Green & Red was choreographed in a couple of days, filmed in two hours, and edited in a week, I have had this new one actively in progress since August 2016. Filming alone was five days.

This new project -- Rift -- has more personal meaning to it. The song (which I've discussed before on this blog) deals with emotional abuse, and I created this dance around the time my difficulties with my previous church were worsening. The institution that was supposed to love and care for me, my health, and well-being (emotionally as well as spiritually) was beginning to show their true colours and I did not like what I was seeing. I felt like I had been completely abandoned in my hour of darkness and I was angry. And all of that anger and frustration and loneliness went into this choreography.



From the outset I knew I wanted a stark, dimly-lit set. The fact that it ended up being shot in an old church felt poetic, as the church (as a general institution) makes up a decent chunk of who I'm addressing with this. Though the lighting in the venue was already terrible, I actually deliberately worsened it in post-processing to further create a cold, isolated, abandoned feel.

It's weird to be finished this project. It's consumed my thoughts and planning and practice time and downtime for so long that my life feels a bit empty now that I've released it to the world and don't have to think about it anymore, in any way. In total I probably put in at least a hundred hours on this project between choreographing, rehearsing, location scouting, sound recording, filming, and editing -- not counting all the hours of staring into space daydreaming about what I wanted this to look like and how to achieve that.

On to the next project, I guess... still trying to figure out what that is. In the meantime, I hope you enjoy this one.

01 May 2017

The Silence of the Storyteller

Written 14 April 2017, 1.08pm.

Do you know what it's like to pour your soul out in writing to fifty people and have not. one. person. acknowledge your existence?

I go through this every week. But I suppose that's the life of an artist. This is what I wanted. I made my bed, I guess I have to lie in it.

I'm a storyteller at heart. I always have been -- in writing, in acting, in music, in photography, in dance. It would make sense that this innate part of my soul would come to full force in writing -- when I write my update emails from college.

But in today's age of social media, nobody wants to hear stories. They want sensation. They want soundbites. They want Upworthy. They want BuzzKill -- I mean BuzzFeed.

So they lash out at me for talking too much. And then they withdraw from my life because I demand too much of their time and attention.

I have a storyteller's soul. And they hate it.

There's an entry in my journal from June of last year (on the subject of the five love languages): 'Acts of service children are good, helpful little children. Quality time children are just little time sucks -- always taking, but never giving back -- at least not in a 'tangible, helpful, productive' way. No wonder everybody hates us.'
I say 'children,' but this really means 'people.' We're all children at heart.

I go for my first counselling appointment on Monday. I'm scared that they actually will be able to help me. The only way I can get anybody's attention is to whine about how awful my life is. People will give you some (tiny) measure of sympathy/attention (for a limited time) if you're going through a hard time. It's underhanded and manipulative, but I am so desperate for something, ANYTHING, from anybody, that I am about willing to do anything. But if counselling helps with my issues and I'm no longer struggling, I lose the very tiny sliver of care that anybody ever had for me. Then I well and truly am alone. After all, think of how we talk to each other:

C1: Hi! How are you?
C2: Good. You?
C1: Good!
*awkward pause*
C1: Well, better get going.
C2: Yeah... I guess...

C3: Hi! How are you?
C4: Meh. Not great.
C3: Oh, I'm sorry to hear that. What's going on? Can I help?
*insert moderately lengthy conversation*

So basically, the only get to get any length of connection with another human being is to have a sucky life. The thing is, all the Pollyannas of the world hate the people who have a sucky life -- "it's the power of positive thinking," they tell us. "If you think your life is going to suck, then it will." And "nobody wants to hang out with you if you have a sucky life *insert some kind of 'negative vibes/toxic people' crap*."

TL;DR: Just spend some time with me. Just talk to me. Just listen to me. That's literally all I want.


'We shot all our dreamers and there's no-one left to lead us...'
- Larry Norman, 1972

'I need some contact... I'm so tired of talking to an answering machine.'
- Prodigal, 1985

25 December 2015

Christmas For The Broken (Music Day)

Usually I'm that really annoying hyper-Christmas person who starts working Boney M. and Michael W. Smith into the music rotation in the middle of August. But this year, it's already Christmas Day and I'm still not feeling it.

It was an awful year. It was right around this time of year that I heard from Brittney for the very last time -- although I didn't know it. It was at Christmas 2014 that I last saw my cousin, my aunt, the family friend we lost, and an entire family unit out of our extended family -- we didn't know it then either. I distinctly remember my uncle hugging me after our family Christmas last year and telling me to 'be good' -- his usual way of saying goodbye. Less than a month later, he left his wife, God abandoned me, and so began the Year From Hell.

How do you celebrate Christmas when the loving family who swore they'd love each other and stick together through thick and thin is either dead, banished, or not speaking to each other?

Peace on earth and good will to men.

This year I learnt that despite all my extended family's insistence to the contrary, their love for each other is EXTREMELY fickle. And if these people are willing to leave spouses and children, if they are willing to skip freaking Christmas after a year like this because of some spat with some in-law, how much longer until it's me they're leaving? How long until they tell me they don't love me anymore, the same way they're telling everyone else? How do you expect me, your niece, to believe you care for me and want the best for me when you are willing to walk out on your own spouse just because you decided you didn't like them anymore?

Does anybody not see what is wrong with this?

Title: Where Are You Christmas
Artist: The Piano Guys
Album: A Family Christmas
Year: 2013
Label: Portrait
iTunes here; YouTube here.

This arrangement is a prime example of when the beautiful is so lovely is also makes one sad -- or at least melancholy. It's an experience that's getting more and more rare these days, but one that really should be getting more frequent. There's 'sad because it's so awful,' there's 'sad because the lyrics are sad,' there's 'sad because of extenuating circumstances,' but this is the increasingly rare 'sad because of its sheer beauty.' The piano melody throughout the piece gets me every time. And then the girl's plaintive voice comes in with that question: where are you, Christmas? and it somehow sounds just like me.

What happened to Christmas with all my aunt and uncles laughing, with the voices of all of the children ringing happily off the ceiling? What happened to Christmas where love pervaded the room and not an awkward tiptoeing around pretty much every single subject we always used to talk about?

Death happens. I get that. My cousin didn't really have a choice in the matter. But divorce -- that's another story. That's your own selfish choice. That is a very clear message that the people you said you committed to don't matter. You committed to me. Don't I matter?

I can never be assured of that again.

23 January 2015

Music Day - Rift

This song was recorded in 1993. But in terms of mood (and genre), it could be mistaken for something from Skillet. Screaming, thrashing, rage, sickened disgust.

Title: Rift
Artist: Mortal
Album: Fathom
Year: 1993
Label: Frontline Records
Before I get to the links, PLEASE NOTE: (they say this at the beginning of the concept video, but I'm going to say it again here) The official music/concept video is pretty intense and a bit graphic. It deals with the subject of child abuse (in its many different manifestations). It's tactful about it and overall the video is quite well done, but it is rather intense and could also be a trigger for some people. (It's six minutes long and within the first minute there's a suicide by gun.) Please be aware of this before you watch the video.
The song itself does not make any actual mention of abuse. It is more concerned with the anger and forgiveness process in the victim, but does not get specific about how exactly the hurt has been inflicted.
iTunes here; YouTube (song only, no video) here. Official music video here (viewer discretion strongly advised).

All that said, the music video is very well done. It's quite a tour de force, skilfully weaving multiple angles of multiple stories, different perspectives, multiple concepts into one cohesive whole. I've read bestselling novels that had choppier plots than this music video. From an artistic standpoint, this is phenomenal. The scenes with the adults playing like children and the scenes with the adults 'frozen' -- they've never grown up -- and the children walking around them are chilling. I can't quite put it into words, but that's exactly what it is -- the adults frozen, caught in their ruts, and the children simply walking around, just waiting... waiting... waiting for something to change.

Ordinarily I would be appalled at the violence and dark undertones in the video, but in this case it absolutely serves the point they were making. It's meant to be a wake-up call, to force us to confront the issue and quit pretending it doesn't exist. The 'Christian community' would likely watch this video (if they even made it past the gun part) and whine, 'Why do you have to be so graphic? Why did you make it so sickening?'

Answer: Because you won't step in. You won't be a friend to the adults (and children) who need a loving, caring person in their lives. And this -- these horrific scenes -- are the consequences of your inaction.

You said you'd lift me up
You said you'd cover me
You said you'd nurse my cuts
You stare and watch me bleed...


***

All of the above was written about two years ago.

Yesterday, after having pretty much forgotten this song existed, I suddenly remembered and subsequently revisited it. Twice. And a different phrase arrested my attention this time.

Sometimes our broken hearts are healed
The moment we believe again...

And it was apparently important enough that they repeated it. I wondered when I first heard it why they repeated it. It seemed odd to me, especially coming after so much anger. But now I think they repeat it so that the words could properly sink in.

Sometimes our broken hearts are healed
The moment we believe again...

In the past six months, people very close to me -- people I love dearly -- have been involved in separation/divorce, developed serious cancer, been emotionally hurt, and some have lied to me. Two of the deepest, hardest-hitting incidents were within two days of each other. And I gave up. I had been praying for months about these things, and finally, when those two particular incidents came up back-to-back, I threw my hands in the air and said, "Why am I still praying to a God who doesn't care?" The fact that I was thinking this terrified me, but there it was. And I've been in a weird in-between state since. I want to believe God cares, but on the other hand I think, 'yeah, well, if He did care, He would at least show me He could fix this.'

In a nutshell, I have become jaded and bitter, and I can almost feel my heart hardening inside me. It is terrifying. And throughout the past couple of days there has been the question of trust -- you're bitter at this person for not trusting you. Are you really any better than them? You're mad at this person for having a heart of stone. Is yours really any softer? But still I fight -- "but You don't care that my family is falling apart and You won't let me help the ones here who are hurting!"

And then this song came, those lyrics. Did they fix everything? Heck no. But it offered a challenge, a burr on the slope of polished slate that I'm sliding down... will you believe again? Will you trust Me one more time with your heart so I can fix it? It made me stop and think. That's one thing that I like in music -- a lyric profound enough to stop me in my tracks. And it was perfectly hidden in a loud, raging industrial song that I was only listening to because it sounded angry and I needed to listen to something angry to match how I felt. If it had been in a Silverwind song I would not have heard it yesterday when I needed it. I was so upset over the whole state of affairs that slow, happy music was making me even angrier. Props to Mortal for tucking that observation in an angry song where it's probably needed most.

28 February 2011

Going Home

This will, according to my current plans, eventually be a part of a novel, compiled of a series of 'essays' (for lack of a better word) written by the characters. However, for the time being it only exists in bits and pieces. This is one of those bits. ~ Kate


Why I drove that route home that night, I don't exactly know. Nobody's ever really frequented that road, not as long I can remember. It's what's known around here as the 'scenic route' -- country code for 'pretty much abandoned.'
Suddenly I saw a fox out of the corner of my eye along the side of the road. I slowed, but the crunching of the gravel under the truck's tires scared it and it bolted off the road onto a driveway.
I watched it run up the driveway's gentle curve to the the house. My truck's wheels followed.
The house was formerly baby blue, now a sort of washed-out grey. I could almost see the geraniums that used to add a bright splash to the paint near the foundation. Now though, the geraniums were gone, leaving in their place brown stalks nestled among frost-killed weeds.
I parked the truck, took the key out of the ignition, and got out. The bang of the door closing seemed like an explosion ripping through the undisturbed air.
I walked up to the front door in slow motion. The thick stillness around me seemed to prevent quick movement.
The white paint was peeling, the handle blackened by years of children's grubby hands pulling at it. I reached out my hand, now much larger and toughened from years of work, and gave the handle the lightest of touches. The door swung open.
Dinner was cooking. Roast and potatoes, if my nose could be trusted. Two of my younger brothers wrestled on the living room carpet, then my older sister came in and reprimanded them. I took off my coat and took a hanger from the closet.
The rusted wire nearly dissolved in my hands. And suddenly I was plunged back into a phantom of something only vaguely familiar.
I put my coat back on and hung what remained of the hanger back in the closet. The step forward raised a cloud of dust and dead flies that fell back to the ground almost immediately as if too tired to hover.
I went to the kitchen. One cupboard door lay on the ground, like a chameleon in the greyness. In the corner of the room was the staircase, the pantry beside it. Next to that was a window.
A nearly-black curtain of age had been drawn across it. I blew on it, but it did little to move the dust that had died there. I unlocked it and tried to push it open, but time had taken the lock's place. It wouldn't budge.
I went back outside and stood on the porch. The stillness in the house was beginning to smother me.
There was a sizable garden plot across from where I stood. Once my mother would harvest zucchinis, carrots, radishes, peas, potatoes... but now there were no vegetables, only weeds too disillusioned to attempt survival. Even the dirt was grey.
Wait. There was something growing along the garden's edge.
A marigold.
Bright orange against the grey. My father's hands were tending it, watering it, gently patting down the soil around it. And suddenly one of those hands was sharply snatched up.
A flash of metal in the summer sunlight... my father's hands pulled up until he was standing. The pure steel was so out of place against his tanned weathered hands.
He looked up into the face of a cop, who rattled off the rights in a serious tone as he handcuffed my father. I saw his mouth moving; I heard the drone of his voice; but the words were lost to shock. I heard Rosa sob behind me and instinctively put a hand on her shoulder.
"It's probably just a mistake," I said. "They're not arresting him for real, you'll see. He and Mom will get it straightened out."
Another sob escaped her. I couldn't be sure, but I thought I heard her say something. I was just about to ask her what when she said it again. And this time I caught it.
"She did it," she whispered through her tears. "She really did it."
I looked at her.
She was smiling.