Showing posts with label indecisiveness. Show all posts
Showing posts with label indecisiveness. Show all posts

25 March 2026

Crossroads

I don't know how to preamble this post.
 
I've been thinking lately about officially giving up dance. Possibly both dance and choreography.
 
I tell myself it's a time thing. While I like my job, it still takes away from my creative endeavours. I anticipate staying with this company for a long time (with construction and fast food, I always knew those were stopgaps and not a career). But I'm not fully convinced that's the real reason.
 
Maybe it's fear. Even though my two most recent performances were very well received, the memory of having an entire cast and assistant choreographer turn against me no matter how hard I tried to accommodate their self-professed 'lack of ability' (which was really a lack of commitment and/or self-confidence) still burns deep into my brain.
 
I know I don't really like making the videos. Shooting practice footage is fun, but I feel the need to make 'real' dance videos, with visual themes and costumes and stuff. I don't even mind editing, but I hate trying to scout viable locations and trying to motivate myself to practice enough and trying to put together a costume that isn't either stupid expensive or the same as literally every other dance video ever.
 
And I've 'locked' myself into making a dance video that's supposed to premiere in May.
 
I have the dance memorised and relatively clean (other than the ending -- which is probably also a contributing factor for the resistance I'm encountering). I love this song and I've been wanting to do a video to it since the song was released. I've already test-driven it in front of a live audience and heard nothing but positive feedback. There is absolutely no reason for me NOT to do this.
 
Am I just letting the fear and the bad experiences win, or am I finally being rational about my time and energy for once in my life? Is the distance in my soul a call from God or a siren song from Satan?
 
Despite all the pain and discouragement I've gone through in my career, this is the first time I have legitimately, peaceably, rationally considered quitting. (I had decided to quit performing once before, in 2019, but that was mostly for attention/as a way of self-harm. It was not, by any possible stretch, a rational decision.) I'm really not sure what to make of this. Even when dancing was difficult due to health, lack of motivation, busy schedule, emotional trauma... I never considered quitting, not truly. I still saw the dancers in my head. I still danced to music when doing housework. I still do.
 
What I loved about it was the feeling of flying. The air rushing between my fingers, my muscles firing, the elation of 'solving' a difficult passage and being able to perform it automatically. Performing in front of people or cameras was cool, but those weren't my driving force. I just loved the act of dancing. I love the way my body and mind felt when I danced. It cleared my head like nothing else. Maybe this is the same high people get from meditating?
 
As far as I know, I still love the act of dancing. The alphabet superset I did for Nachmo this year was a lot of fun. I've lost relatively little from the extended pandemic/apartment life drought, and what I had lost seemed to come back with little difficulty. I came out of Nachmo with one full piece that I really love, and some great starts to quite a few others.
 
And yet... I'm still sitting here, wondering if I should officially walk away.
 
It wouldn't be hard, really. I stopped posting the rehearsal videos years ago, when my in-laws banned me from posting on social media. As far as most people are aware, I've already stopped. If we're perfectly honest, the only person acting under the delusion that I'm still actively choreographing (let alone actually dancing) is me.
 
Would life be simpler without dance? Absolutely. Without a doubt. No question.
 
I would have free time. The imposter syndrome would have far less fodder. There would be less paper cluttering the house and annoying my husband (I find it easier to choreograph longhand). It would be so much simpler to just stop even thinking of myself as a choreographer and focus on my day job, or marriage, or housework, or entertaining, or writing.

But twelve years ago, I was on this very blog saying that I felt called to walk this path, no matter how difficult or lonely it got. I believed it then -- in many ways I still do believe that. I believed God had called me to dance, to choreograph, to somehow bring hope to people through it.

I don't think I've done that. If anything, I'm farther away from that now than I was when I started.

Is the work done? Is my work done? Is it time to pass the torch? If so, to whom? Both my sisters have also stopped dancing. M is dead. Most of my surviving dance friends have already moved on to 'real life.'

And if my work is not done, than what work is it, and why can't I see the way forward?
 
And if I can't answer those, there's always the question I would have asked twelve years ago on this very blog -- which option gives God more glory?
 
As usual, I don't know. I never know. I'm always paralysed by fear and uncertainty and indecision and it characterizes me as a person and the way I live my life. 

07 December 2015

The Musical From Afar and Chronic Indecisiveness

28 November 2015, 11.04pm.

Christmas musical weekend at my college. And I'm not there.

I see the pictures from my friends who are still there. I can almost smell the makeup and hairspray and plywood from the set, I can see the spotlights cutting through the artificial fog on the state-of-the-art set, I can still hear the voices of the school's best singers and performers, I can feel the angel robe draping over me, and I can still taste the apples we were provided with backstage.

How many times since I graduated have I dreamed about this place? Literally dreamed -- at least once a week I find myself back in the dorm hallway, overjoyed to be back. Invariably I find a friend or two and am disoriented when I find a freshman in a room that once held someone else. And then I wake up. Suddenly the nine-hour drive I thought was behind me is undone, and I'm still here in Alberta.

It wasn't school itself that I liked. I didn't exactly enjoy finishing out a ridiculously hectic semester by writing four papers in 36 hours. Oh sure, I loved some of the classes (all the performing ones, anyway -- musical theatre workshop and choir and dance and voice lessons), but mostly what I liked was performing. And in prairie Canada, that school was probably the best place to go to cut one's theatrical teeth. If I could go to that college without having to actually take history classes, that would almost be a dream come true -- something so good I might commit to never leaving.

So why am I not there this year? And why am I not sure if I'm going back next year?

First answer: money. College is not cheap. Especially when your $1800-a-semester meal plan is basically unusable to due the horrendous schedule and you end up spending even more money to buy food because you're not actually eating in the cafeteria.

Second answer: dance. Longtime readers know how much I love dance. I thought I could give it up -- and I committed to giving it up for two years when I went to college. Long story short, I didn't have to give it up entirely, but I did have to go from training at Advanced One to taking classes at Grade Three. And I lost a lot of stamina, a lot of technique, and a lot of the joy in my life. I've spent my year in Alberta so far overdosing on dance classes -- I'm currently taking the heaviest dance schedule I've ever attempted and I still feel so far behind my peers who kept training at the advanced level during my two-year absence. The stamina and technique and definitely the joy is back in my life, but the thing is, to return to college, to return to theatre, I have to give this up. Yes, there are some dance classes at the school, but the reality is that for all intents and purposes, I have to give up dance. I have to pick one or the other. I have to either go back to college, back to theatre and the life it infused into me after years of just being a shell and turn my back on dancing or I have to stay here, keep training at my actual skill level in dance and dying inside every time I see backstage pictures from the many performances that the school puts on every year.

I've been agonising over this decision ever since I realised this past semester how much I loved acting. And the pressure only got higher when the people around me, the people in my program and the people in my dorm started telling me that I should stay, that I should continue on for a Bachelor's degree in performing. I didn't know what to do with that. I'd never received such validation -- ever, in anything. Most of the time, people never notice me as a person, let alone any strengths I have.

And I'm going to end up hating myself, no matter what decision I make. It probably won't matter if I pick theatre or if I pick dance. I'm always going to be thinking, what if I had done the other thing...?

20 October 2011

Problem Solved

Remember the little conundrum I was in last week? Trying to decide between two different plots for my November novel?

I fixed it.

Yup.

I'm doing them both.

Yes, both, at the same time. The plan is to work on them side-by-side and get them both to 50,000 words in November. I mean, I've done this one novel at a time for six events now, I think it's time for a challenge.

I'm not so much worried about keeping up with the word count, I'm more concerned about switching in my head from one plot to the next, as they're both quite different. (One is about a girl who finds an abandoned film studio hidden practically in her aunt and uncle's backyard; the other is about a man whose wife is -- seemingly randomly -- kidnapped. Over the ensuing investigation he finds that she had a brother who was also kidnapped nearly thirty years before. Coincidence?)

12 October 2011

This Post Is Brought To You By My Indecisive Brain

NaNoWriMo preparation for November 2011:

1 September: "Ugh. Do I even want to put myself through that again in two months?"

Mid-September: "Hey, I could use that idea from a few years back... and really, what's November without writing a novel?"

6 October: "Okay. I am doing this novel, no second-guessing. None. I've got this all figured out and everything. Bring it, November!"

9 October: *waiting for November and trying not to pre-plan too much because my brain is like 'well, you have an idea, keep adding to it and working it out...' No, brain, that's what November's for*

12 October: "OHMYGOODNESS EPIC NEW PLOT TWIST IDEAS FOR OLD SCRAPPED PLOT!!! I could totally do this for NaNoWriMo!"






"...Crap."
  
  
  

07 October 2011

Music Day

Since Canadian Thanksgiving is on Monday (usually I don't make such a big deal out of Thanksgiving, but this past year has changed my perspective a lot), I decided to feature a thankful-type song.
Naturally the first one in my head was a Petra song (look at the Music Day tab just under this blog's heading and you'll see what I mean), but there's also a very nice Silverwind song of gratitude as well... actually, two, now that I think about it. (There's more, but I struggle with indecisiveness enough without consciously looking for things to be indecisive about.)
(Now that I look for one of the two songs on YouTube I find more good thankful Silverwind songs...)
(And a Petra song. I CAN'T GET AWAY FROM THEM!)
(Yes. It's late. I get a little daft when it's late.)
(This is why I do most of my writing at night... then I'm too hyper to notice (or care) if it sucks.)
(Neither of the Silverwind songs I thought of are on YouTube. I should just put them on myself.)
(...If I wasn't so lazy... er, that is, if I didn't already have a thousand things to do. Like go to sleep and do this in the morning.)
(Well, later in the morning.)
(You know what I mean.)

Anyway, the song's on iTunes and that's the main thing. Now that they've switched to a minute and a half long preview, that gives you a pretty good idea of whether you'd like the song anyway (even if it takes entirely too long to preview albums now).

Title: Thank You Lord
Artist: Silverwind
Album: By His Spirit
Year: 1985
Label: Sparrow Records
iTunes here.

I have always loved Betsy's voice and in fact, it was thanks primarily to Betsy Hernandez (of Silverwind) and Agnetha Fåltskög of ABBA (similar sound, completely different outlook), that I taught myself to sing. My dear childhood friend could tell you stories... many were the times when she'd grab me by the shoulders and say 'Will you STOP TALKING about MUSIC?!?'

Obviously I didn't -- I just redirected it.