It's been tough.
Things has escalated with the other show. I've been accused of being out of touch with reality and was told I have done nothing for the show. The exact words were: 'calling you a choreographer is generous given how little you've done.' While it is true that I was quite sick for a long period of time and the assistant choreographer had to take on a lot of extra work as a result, I didn't do nothing. But here we are, I guess. Once again I've busted my butt on something I loved and wanted very badly only to be told I wasn't even trying. Why do I keep trying at all if nobody can tell anyway?
Of course, this bleeds into my solo choreography work. I'm reminded now why I consistently stop short at asking others to perform my pieces. I'm reminded that none of those glorious 16-dancer pieces I've choreographed in the past will ever see the light of day, because I'm too selfish and lazy and inflexible (that's another one I've heard before) and socially inept and broken to work with other people. I am apparently only capable of choreographing solos for myself.
I tried advocating for myself like my industry friends suggested, but they only doubled down. Inflexible. Lazy. Demanding. Selfish. Out of touch. You don't deserve to be called a choreographer.
I'm trying to use this feeling of rejection and inadequacy to inform the work I'm doing on Smaller, but it's hard to feel that the choreography for Smaller is any good. After all, my work isn't even good enough for community theatre. How can I make a whole show about memory loss with no studio space to bring it to life and (apparently) no business calling myself a choreographer in the first place?
Ten years ago this would have fueled my resolve. I would have sworn to prove myself.
But I've spent those ten years proving myself, and it hasn't made the smallest speck of difference.
Back to the show. I finished the last song of Act I last night. I'm now just over 26 minutes of completed choreography -- only four minutes away from my goal for the month, with 12 days to go. I think choreographing the full 54 minutes of the show in 31 days is still a tall order, but I might be able to get somewhat close.
As long as nobody else comes at me telling me what a failure and a fraud I am.
I really don't know how much longer I can -- or should -- keep trying.
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